An aging gambler on a losing streak attempts to rob a casino in Monte Carlo. But someone's already tipped off the cops before he even makes a move.
Director:
Awards:
- 1 win & 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
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Nutsa Kukhianidze | ... |
Anne
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| Ouassini Embarek | ... |
Said
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| Tchéky Karyo | ... |
Roger
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| Marc Lavoine | ... |
Remi
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| Nick Nolte | ... |
Bob Montagnet
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| Gérard Darmon | ... |
Raoul
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| Saïd Taghmaoui | ... |
Paulo
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Patricia Kell | ... |
Yvonne
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Julien Maurel | ... |
Philippe
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| Emir Kusturica | ... |
Vladimir
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Roland Munter | ... |
Kozinski
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Warren Zavatta | ... |
Petit Louis
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Théo Trifard | ... |
Bill
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Sarah Bridges | ... |
Philippa
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Nicolas Dromard | ... |
Luigi
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Sergio Candiota | ... |
Fernandez
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| Mark Polish | ... |
Albert
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Damien Arnone | ... |
Security Guard, Villa St. Pierre
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Bobby Dee M'Bale | ... |
Security Guard at Monitors
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Frédéric Scotto | ... |
Chief Security Guard
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| Michael Polish | ... |
Bertram
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Enzo Iovino | ... |
Croupier
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| Laurent Grévill | ... |
Casino Manager
(as Laurent Grevill)
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| Rest of cast listed alphabetically: | |||
| Ralph Fiennes | ... |
Tony Angel (uncredited)
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| James Quattrochi | ... |
Jamie (uncredited)
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Directed by
| Neil Jordan | ||
Written by
| Auguste Le Breton | ... | (screenplay "Bob le flambeur") and |
| Jean-Pierre Melville | ... | (screenplay "Bob le flambeur") |
| Jean-Pierre Melville | ... | (film "Bob le flambeur") |
| Neil Jordan | ... | (written by) |
Produced by
| Jean-Yves Asselin | ... | line producer |
| Kristin Harms | ... | executive producer |
| Neil Jordan | ... | executive producer |
| Seaton McLean | ... | producer |
| Thierry de Navacelle | ... | executive producer |
| Tracey Seaward | ... | co-producer |
| John Wells | ... | producer |
| Stephen Woolley | ... | producer |
Music by
| Elliot Goldenthal | ||
Cinematography by
| Chris Menges | ... | director of photography |
Editing by
| Tony Lawson | ||
Editorial Department
| Jens Baylis | ... | first assistant editor |
| Stephen R. Sheridan | ... | color timer |
| John Stanborough | ... | color grader |
| Matthew Tucker | ... | editor: lightworks |
| Jamie Turpin | ... | editor trainee |
| Mark Wright | ... | negative cutter |
| Nuala Roche | ... | assistant conforming editor (uncredited) |
Casting By
| Susie Figgis | ||
| Corinne Renard-Bendjadi | ... | (France) |
Production Design by
| Anthony Pratt | ||
Art Direction by
| Eric Dubreil | ||
| Vladimir Kostovic | ||
| Andy Nicholson | ||
| Chris Seagers | ... | supervising art director |
Set Decoration by
| Raoul Albert | ||
| Robert Le Corre | ||
Costume Design by
| John Norster | ... | co-costume designer |
| Penny Rose | ||
Makeup Department
| Véronique Boslé | ... | assistant makeup artist (as Veronique Bosle) |
| Annabel Hill | ... | makeup artist |
| Jenny Shircore | ... | hair designer / makeup designer |
Production Management
| Raphaël Benoliel | ... | unit production manager |
| Laure Launay | ... | assistant production manager |
| Gatien Nida | ... | assistant unit manager |
| Tricia Perrott | ... | post-production supervisor |
| Romaric Thomas | ... | unit production manager |
Second Unit Director or Assistant Director
| Anne Barbler | ... | trainee assistant director |
| Lee Grumett | ... | third assistant director |
| Gil Kenny | ... | additional first assistant director |
| Olivia Lloyd | ... | second assistant director |
| Deborah Saban | ... | first assistant director |
| Esther Sellem | ... | trainee assistant director |
| Yann Thomas | ... | second assistant director |
| Dimitri Veret | ... | additional first assistant director |
Art Department
| Stéphane Albert-Desfons | ... | prop buyer: tournage France |
| Stéphane Cabrera | ... | props |
| Roberto DiCamillo | ... | buyer |
| Kevin Harris | ... | assistant construction manager |
| Jonathan Houlding | ... | set designer |
| Kirstie King | ... | art department coordinator (as Kirstie Stephenson) |
| James Lewis | ... | set designer |
| Manu Poupard | ... | chargehand stand by props / property master |
| Michel Rollant | ... | property buyer |
| Hervé Schrub | ... | prop buyer |
Sound Department
| Mark Auguste | ... | supervising sound editor |
| Sam Auguste | ... | assistant sound editor |
| Alan Collins | ... | sound facility manager: ardmore sound |
| Michelle Cunniffe | ... | re-recording mixer |
| Caoimhe Doyle | ... | foley artist |
| Sarah Gaines | ... | adr editor |
| Louis Hone | ... | foley recording mixer |
| Tom Johnson | ... | re-recording mixer |
| Vladan Korac | ... | adr sound |
| Daniel Laurie | ... | dialogue editor |
| Anthony Litton | ... | foley editor |
| Andy Malcolm | ... | foley artist |
| Jean McGrath | ... | adr recordist |
| Gerard Roche | ... | adr mixer |
| Greg Steele | ... | adr mixer |
| David Stephenson | ... | production sound mixer |
| Owen Tighe | ... | assistant adr editor |
| Don White | ... | foley recording mixer |
| Jean Pourchier | ... | sound mixer (uncredited) |
| John Soukup | ... | sound transfer (uncredited) |
Special Effects by
| Garry Cooper | ... | special effects technician |
| Keith Dawson | ... | special effects technician |
| Michael Dawson | ... | special effects coordinator (as Mike Dawson) |
| Tony Edwards | ... | special effects technician |
| Manex Efrem | ... | special effects floor supervisor |
| Matthew Roberts | ... | special effects technician |
| Joss Williams | ... | special effects supervisor |
| Victoria Williams | ... | special effects technician |
Visual Effects by
| Adam Glasman | ... | colourist |
| John C. Hill | ... | computer graphics artist |
| Mark Hodgkins | ... | digital effects artist |
| David Kirman | ... | computer video senior technician |
| Alasdair MacCuish | ... | digital lab supervisor: Framestore CFC |
| Adrian Metzelaar | ... | digital compositor: Framestore CFC |
| Mark Nelmes | ... | digital visual effects: Framestore CFC |
| Dominic Sidoli | ... | visual effects producer: Framestore CFC |
| Jan Hogevold | ... | digital lab producer: Framestore CFC (uncredited) |
Stunts
| Ray De-Haan | ... | stunt coordinator |
| Jamie Edgell | ... | stunt double: Tcheky Karyo / stunt driver |
| Mario Luraschi | ... | stunt horse advisor |
| Andreas Petrides | ... | assistant stunt coordinator |
| Lee Sheward | ... | stunt double: Nick Nolte / stunt driver |
| Joss Gower | ... | stunt double (uncredited) |
Camera and Electrical Department
| David Appleby | ... | still photographer |
| Ashley Bond | ... | first assistant camera: "a" camera, main unit |
| Guillaume Brule | ... | electrician |
| Jon Euesden | ... | key electrician |
| Darren Flindall | ... | rigger |
| Jeremy Gee | ... | camera operator: second unit |
| Martin Healey | ... | gaffer |
| Philippe Houdart | ... | director of photography: second unit |
| Andy Laenen | ... | electrician |
| Sophie Lemaire | ... | first assistant camera |
| Adrian McCarthy | ... | grip |
| Oona Menges | ... | first assistant camera |
| Sebastien Ordonez | ... | grip |
| Alastair Rae | ... | camera operator: "a" camera / steadicam operator |
| Alex Scott | ... | gaffer |
| Mario Spanna | ... | video camera: Useful Companies |
| Ivan Strasburg | ... | director of photography: second unit |
| Frédéric Vial | ... | second assistant camera |
| Derek Walker | ... | assistant camera |
Casting Department
| Anne Barbier | ... | casting assistant: France |
| Samia Fadli | ... | extras casting |
Costume and Wardrobe Department
| Patricia Colin | ... | wardrobe mistress |
| Ken Crouch | ... | costume supervisor |
| Dominic Young | ... | costume maker |
Location Management
| Beatrice Arweiler | ... | location manager: Italy (as Beatrice Arweiler) |
| Elisabetta Bartolomei | ... | assistant location manager: Italy |
| Jeremy Bau | ... | assistant location manager |
| Gilles Castera | ... | key location manager |
| Corinne Dacomo | ... | additional location manager |
Music Department
| Dirk Brossé | ... | conductor |
| Andy Brown | ... | music contractor |
| Brian Byrne | ... | music preparation |
| Michael Connell | ... | supervising music editor |
| Chris Cozens | ... | auricle control systems |
| Robert Elhai | ... | orchestrator |
| Karen Elliott | ... | music supervisor |
| Vic Fraser | ... | music preparation |
| Adam Glasser | ... | musician: harmonica |
| Elliot Goldenthal | ... | orchestrator |
| Page Hamilton | ... | musician |
| Joel Iwataki | ... | music scoring mixer |
| John Kelly | ... | additional music consultant |
| Ann Kline | ... | music supervisor |
| The London Metropolitan Orchestra | ... | music performed by / performer: London Metropolitan Orchestra |
| Kieran Lynch | ... | assistant music engineer |
| Lawrence Manchester | ... | music recordist |
| Stephen McLaughlin | ... | music mixer / music producer: Gohl/McLaughlin Productions / music recordist |
| Nora Mullally | ... | music business/legal services |
| Phil Ramone | ... | music production |
| James Shearman | ... | conductor (as James Sherman) |
Script and Continuity Department
| Diana Dill | ... | script supervisor |
| Samantha Timmerman | ... | second script supervisor |
Transportation Department
| Marc Bouschet | ... | action vehicle coordinator |
| Ian Clarke | ... | picture vehicle technician |
| Tim Jefferis | ... | facilities driver |
| Graham Kelly | ... | action vehicle coordinator |
| Pascal Roussel | ... | transportation captain |
| Sean Thornton | ... | picture vehicle technician |
Additional Crew
| Mariangela Angelucci | ... | assistant: Stephen Woolley |
| Joëlle Baland | ... | assistant stunt horse advisor (as Joelle Baland) |
| Matthew Billingsly | ... | assistant: Ms. Harms (as Matt Billingsly) |
| Daniel Bird | ... | rushes synchronization: Telefilm |
| Andrea Borella | ... | production services: Italy |
| Guy Demazure | ... | animal handler |
| John Erraught | ... | development executive |
| Ralph Fiennes | ... | fine art advisor |
| Christel Franken | ... | coordinator: London |
| Beatrice Giraud | ... | assistant accountant |
| Constantine Gregory | ... | dialogue coach |
| Charles Heidet | ... | set supervisor |
| Polly Hope | ... | assistant: Ms. Seaward |
| Mark Horowitz | ... | international sales |
| Lacia Kornylo | ... | head of production: Alliance Atlantis |
| Ashifa Lalani | ... | first assistant accountant |
| Bernard Lamy | ... | production accountant |
| Cian McDonald | ... | assistant: Mr. Jordan |
| Ciara McGowan | ... | assistant production coordinator |
| Sarah Millar | ... | location accountant |
| Ali Moshref | ... | assistant production accountant |
| Terry Murphy | ... | security consultant |
| Anya Noakes | ... | unit publicist |
| Shelagh O'Brien | ... | assistant: Mr. Wells |
| Peter Ogunsalu | ... | contact: UK |
| Justin Owen | ... | computer and video supervisor: Useful Companies |
| Lisa Parker | ... | production coordinator |
| Roger Phillips | ... | title designer |
| Bob Presner | ... | completion bond |
| Patricia Reid-Douglas | ... | production coordinator |
| Leon Rogez | ... | animal handler |
| Andrew Rosen | ... | production executive: Alliance Atlantis |
| Leonard B. Rosman | ... | legal services |
| Matthieu Rubin | ... | production assistant |
| Simon Staines | ... | creative supervisor/screen graphics: Useful Companies |
| Matt Tromans | ... | assistant: Mr. Nolte |
| Sara-Jane Valentine | ... | computer and video coordinator: Useful Companies (as Sarah-Jane Valentine) |
| Philippa Wood | ... | assistant to producer |
| Kelly Messias | ... | assistant: Ralph Fiennes (uncredited) |
Production Companies
Distributors
- Momentum Pictures (2002) (United Kingdom) (theatrical)
- Distribution Company (2003) (Argentina) (theatrical)
- Fox Searchlight Pictures (2003) (United States) (theatrical)
- Vértice 360 (2003) (Spain) (theatrical)
- Twentieth Century Fox (2004) (Japan) (theatrical)
- Argentina Video Home (2004) (Argentina) (DVD)
- Argentina Video Home (2004) (Argentina) (VHS)
- Nordisk Film (2004) (Sweden) (DVD)
- 01 Distribution
- EuroVideo (Germany)
- Pyramid (Russia)
- Searchlight Pictures (Australia)
- Searchlight Pictures (Japan)
- Searchlight Pictures (New Zealand)
Special Effects
- Aztec (model maker)
- Dark Side Effects (special effects)
- Framestore CFC (digital visual effects)
- Useful Company (computer visual effects)
Other Companies
- A&A Produzioni S.r.l. (production services: Italy)
- ARRI Lighting Rental (lighting equipment)
- ARRI Media (camera equipment provided by)
- Action Cars (action vehicles)
- Air-Edel Recording Studios (music supervision)
- Ardmore Sound (sound post-production)
- Ardmore Sound (sound re-recorded at)
- Bickers Action Enterprises (low loader)
- Blowup (stills processing)
- Editline (editing equipment)
- Film Finances Canada (completion guarantor)
- Frameline Productions (titles)
- Hothouse Music (music supervision by)
- Island Records (soundtrack)
- London Editing Machines Ltd. (editing equipment)
- Sapex Scripts (post-production scripts)
- Screen Scene (telecine services)
- Sony Music Studios (music recorded at)
- Technicolor (color timing)
- Telefilm Video Services (telecine services)
- The Irish Film Orchestra (orchestra)
- The London Metropolitan Orchestra (orchestra)
- Twickenham Sound Station (lock pro sound)
- Useful Companies (Digital Playback & Design)
- Windmill Lane Recording Studios (music recorded at)
Storyline
| Plot Summary |
Set against the glitzy backdrop of the French Riviera, aging gambler Bob Montagnet is about to gamble it all on the casino heist of a lifetime; a spectatcular sleight of hand--two heists, one real, one not, but which is which? Under the watchful eye of Roger, a policeman who would as soon save his longtime opponent as arrest him, Montagnet assembles a team that consists of partners Paulo and Raoul, technical mastermind Vladimer, former-drug-dealer-turned-informant Said, Anne, a young Eastern girl Montagnet rescued from prostitution, and the perfect complement to a double theft--identical twins Albert and Bertram. Written by Sujit R. Varma |
| Plot Keywords | |
| Taglines | He doesn't want money. He wants what money can't buy. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
Additional Details
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Box Office
| Budget | $25,000,000 (estimated) |
Did You Know?
| Trivia | Nick Nolte admitted in an interview that he took a small injection of heroin in preparation for his role. He claims that in order to play such a character he required the feeling of addiction and what it is to be a heroin junkie. See more » |
| Goofs | A mic pack can be seen on Anne's backside when she and Bob are leaving Paulo's car near the end of the movie. See more » |
| Movie Connections | Remake of Bob the Gambler (1956). See more » |
| Soundtracks | Parisien du Nord See more » |
| Crazy Credits | Fine Art Advisor--Ralph Fiennes See more » |
| Quotes |
[applying hair gel]
Paulo: Gel is essential when things get complicated. See more » |