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Agnes Grey
An alternate cover edition can be found here.
Drawing heavily from personal experience, Anne Brontë wrote Agnes Grey in an effort to represent the many 19th Century women who worked as governesses and suffered daily abuse as a result of their position.
Having lost the family savings on risky investments, Richard Grey removes himself from family life and suffers a bout of depression. Feeling helpless and frustrated, his youngest daughter, Agnes, applies for a job as a governess to the children of a wealthy, upper-class, English family.
Ecstatic at the thought that she has finally gained control and freedom over her own life, Agnes arrives at the Bloomfield mansion armed with confidence and purpose. The cruelty with which the family treat her however, slowly but surely strips the heroine of all dignity and belief in humanity.
A tale of female bravery in the face of isolation and subjugation, Agnes Grey is a masterpiece claimed by Irish writer, George Moore, to be possessed of all the qualities and style of a Jane Austen title. Its simple prosaic style propels the narrative forward in a gentle yet rhythmic manner which continuously leaves the listener wanting to know more.
Anne Brontë, the somewhat lesser known sister, was in fact the first to finish and publish Agnes Grey under the pseudonym of Acton Bell. Charlotte and Emily followed shortly after with Jane Eyre and Wuthering Heights.
As Anne passed away from what is now known to be pulmonary tuberculosis at the age of just 29, she only published one further title; The Tenant of Wildfell Hall. As feminist in nature as Agnes Grey, Anne's brave voice resonates and permeates during one of the most prejudiced and patriarchal times of English history.
Drawing heavily from personal experience, Anne Brontë wrote Agnes Grey in an effort to represent the many 19th Century women who worked as governesses and suffered daily abuse as a result of their position.
Having lost the family savings on risky investments, Richard Grey removes himself from family life and suffers a bout of depression. Feeling helpless and frustrated, his youngest daughter, Agnes, applies for a job as a governess to the children of a wealthy, upper-class, English family.
Ecstatic at the thought that she has finally gained control and freedom over her own life, Agnes arrives at the Bloomfield mansion armed with confidence and purpose. The cruelty with which the family treat her however, slowly but surely strips the heroine of all dignity and belief in humanity.
A tale of female bravery in the face of isolation and subjugation, Agnes Grey is a masterpiece claimed by Irish writer, George Moore, to be possessed of all the qualities and style of a Jane Austen title. Its simple prosaic style propels the narrative forward in a gentle yet rhythmic manner which continuously leaves the listener wanting to know more.
Anne Brontë, the somewhat lesser known sister, was in fact the first to finish and publish Agnes Grey under the pseudonym of Acton Bell. Charlotte and Emily followed shortly after with Jane Eyre and Wuthering Heights.
As Anne passed away from what is now known to be pulmonary tuberculosis at the age of just 29, she only published one further title; The Tenant of Wildfell Hall. As feminist in nature as Agnes Grey, Anne's brave voice resonates and permeates during one of the most prejudiced and patriarchal times of English history.
226 pages, Paperback
First published December 1, 1847
About the author
Anne Brontë
682 books3,253 followersAnne Brontë was an English novelist and poet, the youngest member of the Brontë literary family. Anne's two novels, written in a sharp and ironic style, are completely different from the romanticism followed by her sisters, Emily Brontë and Charlotte Brontë. She wrote in a realistic, rather than a romantic style. Mainly because the re-publication of The Tenant of Wildfell Hall was prevented by Charlotte Brontë after Anne's death, she is less known than her sisters. However, her novels, like those of her sisters, have become classics of English literature.
The daughter of a poor Irish clergyman in the Church of England, Anne Brontë lived most of her life with her family at the parish of Haworth on the Yorkshire moors. In Elizabeth Gaskell's biography, Anne's father remembered her as precocious, reporting that once, when she was four years old, in reply to his question about what a child most wanted, she answered: "age and experience".
During her life Anne was particularly close to Emily. When Charlotte's friend Ellen Nussey visited Haworth in 1833, she reported that Emily and Anne were "like twins", "inseparable companions". Together they created imaginary world Gondal after they broke up from Charlotte and Branwell who created another imaginary world – Angria.
For a couple of years she went to a boarding school. At the age of 19 she left Haworth and worked as a governess between 1839 and 1845.
After leaving her teaching position, she fulfilled her literary ambitions. She wrote a volume of poetry with her sisters (Poems by Currer, Ellis, and Acton Bell, 1846) and two novels. Agnes Grey, based upon her experiences as a governess, was published in 1847. Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848 and was an instant, phenomenal success; within six weeks it was sold out.
The Tenant of Wildfell Hall is perhaps the most shocking of the Brontës' novels. In seeking to present the truth in literature, Anne's depiction of alcoholism and debauchery was profoundly disturbing to 19th-century sensibilities. Helen Graham, the tenant of the title, intrigues Gilbert Markham and gradually she reveals her past as an artist and wife of the dissipated Arthur Huntingdon. The book's brilliance lies in its revelation of the position of women at the time, and its multi-layered plot.
Her sister Emily's death on 19 December 1848 deeply affected Anne and her grief undermined her physical health. Over Christmas, Anne caught influenza. Her symptoms intensified, and in early January, her father sent for a Leeds physician, who diagnosed her condition as consumption, and intimated that it was quite advanced leaving little hope of recovery. Anne met the news with characteristic determination and self-control.
Unlike Emily, Anne took all the recommended medicines, and responded to the advice she was given. That same month she wrote her last poem, " A dreadful darkness closes in", in which she deals with being terminally ill.
In February 1849, Anne decided to make a return visit to Scarborough in the hope that the change of location and fresh sea air might initiate a recovery. However, it was clear that she had little strength left.
Dying, Anne expressed her love and concern for Ellen and Charlotte, and seeing Charlotte's distress, whispered to her to "take courage". Conscious and calm, Anne died at about two o'clock in the afternoon, Monday, 28 May 1849.
The daughter of a poor Irish clergyman in the Church of England, Anne Brontë lived most of her life with her family at the parish of Haworth on the Yorkshire moors. In Elizabeth Gaskell's biography, Anne's father remembered her as precocious, reporting that once, when she was four years old, in reply to his question about what a child most wanted, she answered: "age and experience".
During her life Anne was particularly close to Emily. When Charlotte's friend Ellen Nussey visited Haworth in 1833, she reported that Emily and Anne were "like twins", "inseparable companions". Together they created imaginary world Gondal after they broke up from Charlotte and Branwell who created another imaginary world – Angria.
For a couple of years she went to a boarding school. At the age of 19 she left Haworth and worked as a governess between 1839 and 1845.
After leaving her teaching position, she fulfilled her literary ambitions. She wrote a volume of poetry with her sisters (Poems by Currer, Ellis, and Acton Bell, 1846) and two novels. Agnes Grey, based upon her experiences as a governess, was published in 1847. Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848 and was an instant, phenomenal success; within six weeks it was sold out.
The Tenant of Wildfell Hall is perhaps the most shocking of the Brontës' novels. In seeking to present the truth in literature, Anne's depiction of alcoholism and debauchery was profoundly disturbing to 19th-century sensibilities. Helen Graham, the tenant of the title, intrigues Gilbert Markham and gradually she reveals her past as an artist and wife of the dissipated Arthur Huntingdon. The book's brilliance lies in its revelation of the position of women at the time, and its multi-layered plot.
Her sister Emily's death on 19 December 1848 deeply affected Anne and her grief undermined her physical health. Over Christmas, Anne caught influenza. Her symptoms intensified, and in early January, her father sent for a Leeds physician, who diagnosed her condition as consumption, and intimated that it was quite advanced leaving little hope of recovery. Anne met the news with characteristic determination and self-control.
Unlike Emily, Anne took all the recommended medicines, and responded to the advice she was given. That same month she wrote her last poem, " A dreadful darkness closes in", in which she deals with being terminally ill.
In February 1849, Anne decided to make a return visit to Scarborough in the hope that the change of location and fresh sea air might initiate a recovery. However, it was clear that she had little strength left.
Dying, Anne expressed her love and concern for Ellen and Charlotte, and seeing Charlotte's distress, whispered to her to "take courage". Conscious and calm, Anne died at about two o'clock in the afternoon, Monday, 28 May 1849.
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Displaying 1 - 30 of 5,853 reviews
November 28, 2010
Out of all Bronte books Agnes Grey is definitely the one that reads as if written by a pastor's daughter. There is just a very familiar quality to it, a mix of self-righteousness, martyrdom and judgment, characteristic of "Christian" romances (yes, I have read a couple back in the day).
Not even once during the course of the novel does Agnes make a mistake and therefore she doesn't evolve, change. She is just the most perfectest creature ever who is mistreated by everyone around her. The beginning part of the novel is particularly jarring in this respect - her never-ending complaints about the family she works for as a governess are annoying. Yes, the kids are spoiled and the parents are ignorant, but Agnes herself has absolutely no experience with kids or teaching and in a dire need of Supernanny's advice.
The things are not much better once Agnes moves to her second place of employment. Here, of course, everyone is bad too. (Except the love interest, who is a minister, naturally.) It seems to be Agnes' main purpose to observe and document everyone's follies - from her employees' to fellow servants'. I say enough already.
In spite of the whiny voice of the main character and continuous moralizing, the novel is not a complete loss however. Anne Brontë's talent for social critic reveals itself in the latter part of the novel. Her portrayal of naughty Murray sisters is delicious. Dare I say, you can hear the voice of Jane Austen in some of the passages? And how about those spoiled kids who act as if they are serial killers in the making? I can't not give the author credit for writing about that.
On the other hand, the romance is a bit of a disappointment. It is nothing like twisted and complex relationships in Jane Eyre and Wuthering Heights. It is a tepid affair, culminating in a "passionate" elbow touching.
Oh well, it's not a bad first effort. I know The Tenant of Wildfell Hall is much better.
Not even once during the course of the novel does Agnes make a mistake and therefore she doesn't evolve, change. She is just the most perfectest creature ever who is mistreated by everyone around her. The beginning part of the novel is particularly jarring in this respect - her never-ending complaints about the family she works for as a governess are annoying. Yes, the kids are spoiled and the parents are ignorant, but Agnes herself has absolutely no experience with kids or teaching and in a dire need of Supernanny's advice.
The things are not much better once Agnes moves to her second place of employment. Here, of course, everyone is bad too. (Except the love interest, who is a minister, naturally.) It seems to be Agnes' main purpose to observe and document everyone's follies - from her employees' to fellow servants'. I say enough already.
In spite of the whiny voice of the main character and continuous moralizing, the novel is not a complete loss however. Anne Brontë's talent for social critic reveals itself in the latter part of the novel. Her portrayal of naughty Murray sisters is delicious. Dare I say, you can hear the voice of Jane Austen in some of the passages? And how about those spoiled kids who act as if they are serial killers in the making? I can't not give the author credit for writing about that.
On the other hand, the romance is a bit of a disappointment. It is nothing like twisted and complex relationships in Jane Eyre and Wuthering Heights. It is a tepid affair, culminating in a "passionate" elbow touching.
Oh well, it's not a bad first effort. I know The Tenant of Wildfell Hall is much better.
October 8, 2023
Here's the thing: I am, at heart, a lover, not a fighter.
Sure, when it comes to young adult books, and to romance, and to thrillers, and to contemporaries, and to historical fiction, and to mysteries, and to...essentially anything that can be categorized as "genre fiction," you may be tempted to call me a hater, due to my uncaring heart and my low ratings and my various rants.
But classics? Literary fiction? All of the most pretentious stuff?
That, my friend, I am fated to like.
So when I don't really, it is an event so stunning and shocking that it threatens to cause earthquakes/turn the world off its axis/dethrone Anya Taylor-Joy as the most beautiful human being of all time.
In other words, change the universe forever.
And I did not really like this book.
Here are the nice things I have to say:
- It's very beautifully written.
- ...
- Um.
- My copy of it is very pretty and little and has gilded pages.
End nice things.
And here, as always, are the things I did not:
- Our main character Agnes is a governess largely for Paying Her Family reasons, and she is so so bad at it. 95% of this book is complaining and I am someone who can only handle hearing one complaint for every two pleasant remarks or I break down entirely.
- Additional bullet point to say that while you may be thinking Emma, aren't most of your reviews you complaining, I refuse to identify hypocrisy within myself and am therefore not listening. Starting now I'm plugging my ears and saying "la la la" like a child whose turn it is to be seeker in hide and seek.
- This romance is a snoozefest. I needed MORE. This was high school crush level and I won't stand for it.
- I will always prefer Pride & Prejudice and Emma and Northanger Abbey to Sense & Sensibility and Mansfield Park because I like my protagonists/love interests/etc. with some SPICE. These two polite religious sweethearts will not get love and fondness from me.
I could probably go on, but I hate typing at length and I hate complaining!
Wait...I'm complaining...about complaining.
I need to get out of here.
Bottom line: Not for me, but Anne, I'll come for you again!
That single sentence was more romance than the whole of this book.
----------------
pre-review
going to go out on a limb and say if you're a governess for 8 kids at different times and all of them turn out bad...
might be a you problem. Team Mischievous Children over Team Agnes Grey.
review to come / 3 stars
----------------
currently-reading updates
well, i'm reading a 19th century british classic, so you know what that means...
summer is over. i'm declaring it autumn.
Sure, when it comes to young adult books, and to romance, and to thrillers, and to contemporaries, and to historical fiction, and to mysteries, and to...essentially anything that can be categorized as "genre fiction," you may be tempted to call me a hater, due to my uncaring heart and my low ratings and my various rants.
But classics? Literary fiction? All of the most pretentious stuff?
That, my friend, I am fated to like.
So when I don't really, it is an event so stunning and shocking that it threatens to cause earthquakes/turn the world off its axis/dethrone Anya Taylor-Joy as the most beautiful human being of all time.
In other words, change the universe forever.
And I did not really like this book.
Here are the nice things I have to say:
- It's very beautifully written.
- ...
- Um.
- My copy of it is very pretty and little and has gilded pages.
End nice things.
And here, as always, are the things I did not:
- Our main character Agnes is a governess largely for Paying Her Family reasons, and she is so so bad at it. 95% of this book is complaining and I am someone who can only handle hearing one complaint for every two pleasant remarks or I break down entirely.
- Additional bullet point to say that while you may be thinking Emma, aren't most of your reviews you complaining, I refuse to identify hypocrisy within myself and am therefore not listening. Starting now I'm plugging my ears and saying "la la la" like a child whose turn it is to be seeker in hide and seek.
- This romance is a snoozefest. I needed MORE. This was high school crush level and I won't stand for it.
- I will always prefer Pride & Prejudice and Emma and Northanger Abbey to Sense & Sensibility and Mansfield Park because I like my protagonists/love interests/etc. with some SPICE. These two polite religious sweethearts will not get love and fondness from me.
I could probably go on, but I hate typing at length and I hate complaining!
Wait...I'm complaining...about complaining.
I need to get out of here.
Bottom line: Not for me, but Anne, I'll come for you again!
That single sentence was more romance than the whole of this book.
----------------
pre-review
going to go out on a limb and say if you're a governess for 8 kids at different times and all of them turn out bad...
might be a you problem. Team Mischievous Children over Team Agnes Grey.
review to come / 3 stars
----------------
currently-reading updates
well, i'm reading a 19th century british classic, so you know what that means...
summer is over. i'm declaring it autumn.
November 11, 2022
My Views-
My incorrigible propensity for books with Biblical references and teachings, decoyed me into this precious work of gracious civility in the midst of hardships!
“Agnes Grey”, delineates, that amidst all the tormenting, hardships, lamentations and broodings, the tenets of love-laden Christianity, can flourish life, infallibly!
The tenacity of enduring hardships at home and vexations in profession, and abiding by the endearing Christian tenets, earned Agnes a satisfying ending!!
Persistent unshaken firmness, devoted diligence, unwearied perseverance and unceasing care, towards family and profession, qualified Agnes, to earn a happy ending for herself. I applaud the positive ending of this novel, on a happy-note!!
We are often shielded by our own obscurity, and secure ourselves, by closing all doors to vulnerability. But Anne Bronte, audaciously, revealed her life and views, all naked, in this first novel of hers. Commendable!
Isn’t it?
Agnes Grey, is a didactic novel, expounding, the coming-of age, growth, the endurance of exploitation, by the governesses in the Victorian England, and many more stifling issues.
According to me, Agnes Grey, shouldn’t be limited to the hardships and tormenting of the governesses in the Victorian England alone, but can be extrapolated to the modern day and age relationships and friendships!
Agnes, gives her heart and soul to her ailing impoverished family, love and care to the abusive-miscreant children whom she looks after, and respect to her employers, and yet is derided by the condescending and supercilious bosses, and taken for a ride, with frivolity, by the ungrateful, diabolically bickering children.
Analogically, same can be applied to modern day and age relationships, no matter how much love and respect parents shower on their children, no matter how much a human does for another, with sincerity and selflessness, we come across cases, of being taken for granted or being reprimanded. Love and respect, are not always returned back, alike!
Christian principles teach us to stay resilient, to forgive , spread love and surrender (It is not for others, but for the self. I will stay away from delving into Bible and in my fondness for it, do not want to make it a spiritual/religious discourse!).
Agnes Grey, does not retaliate in vengeance for wrong treatment, rather works on changing her job and situation with full tenacity and zeal.
The novel is not an entertainer, but an edifier!
The daily-life problems are compounded by wrong decisions and destiny not unfolding the way they devised or wished to be!
A quick abridged plot-summary: -
Agnes, daughter of a minister of modest means, Mr. Grey, a loving husband and father, with a want to provide and augment his little fortune, risks his money with a merchant, who unfortunately dies in a wreck.
Plunged into debts and swamped in misery and poverty, the family scrupulously cuts-down on expenses and food. Deciding to become a bread-winner for the family, Agnes, decides to get employed as a governess for children of affluent families, with all bright hopes and ardent expectations.
Her first employment is with Bloomfield Family. Rich, condescending, diabolical than what Agnes conceived or envisioned to be, she endures to continue working with the unruly, abusive, miscreant children and the reprimanding bosses. Within an year, she is dismissed on account of slow-growth of the children. Returning back home, she starts searching for a new job, and finally gets employed with the Murrays, and this second job turns out to be a wee better than the first. Though, she still feels ignored!
Agnes helps an old woman, Nancy Brown, with poor eyesight, in reading the Bible, when she consequently ends up meeting Mr. Edward Weston, the new parson. They eventually start getting closer. Meanwhile, her father passes away, when she along with her mother, opens a school, leaving the Murrays and Mr. Weston. One day, she takes a walk by the seashore, and stumbles upon Mr. Weston. He informs her, that he has been looking for her since the time he changed his parsonage. Agnes introduces him to her mother, and accepts Mr. Weston’s proposal. Eventually they get married, and consequently become parents to 3 beautiful children.
#######################################
I wish if I could, give heartfelt infinite stars, to this evocative work of Anne Bronte(first-novel). It touched my soul and peeled off various layers, in ways inexplicable. Giving any stars, would be undermining such a work, but still 5-stars (as per the GRs rating-system).
Throughout, the novel, we can witness Agnes renewing her hope and spirit, irrespective of the abuse, frivolity and condemnation she is subjected to! She never gives into vengeance of any kind, and keeps steadying her nerves and stifling the rebellious flutter of her heart! She takes on the arduous journey of her life, with redoubled ardour and zeal! She rises every time, with hopeful exhilarations, irrespective of the profuse disappointments of the yester-day.
This novel is a work or art and hope, edifying the importance and success of Christian tenets and beliefs! I loved it!
Limiting it as a mere depiction of the exploitation of the governesses during the Victorian Era, is totally unfair, in my view. Agnes Grey, holds much more!
My incorrigible propensity for books with Biblical references and teachings, decoyed me into this precious work of gracious civility in the midst of hardships!
“Agnes Grey”, delineates, that amidst all the tormenting, hardships, lamentations and broodings, the tenets of love-laden Christianity, can flourish life, infallibly!
The tenacity of enduring hardships at home and vexations in profession, and abiding by the endearing Christian tenets, earned Agnes a satisfying ending!!
Persistent unshaken firmness, devoted diligence, unwearied perseverance and unceasing care, towards family and profession, qualified Agnes, to earn a happy ending for herself. I applaud the positive ending of this novel, on a happy-note!!
We are often shielded by our own obscurity, and secure ourselves, by closing all doors to vulnerability. But Anne Bronte, audaciously, revealed her life and views, all naked, in this first novel of hers. Commendable!
Isn’t it?
Agnes Grey, is a didactic novel, expounding, the coming-of age, growth, the endurance of exploitation, by the governesses in the Victorian England, and many more stifling issues.
According to me, Agnes Grey, shouldn’t be limited to the hardships and tormenting of the governesses in the Victorian England alone, but can be extrapolated to the modern day and age relationships and friendships!
Agnes, gives her heart and soul to her ailing impoverished family, love and care to the abusive-miscreant children whom she looks after, and respect to her employers, and yet is derided by the condescending and supercilious bosses, and taken for a ride, with frivolity, by the ungrateful, diabolically bickering children.
Analogically, same can be applied to modern day and age relationships, no matter how much love and respect parents shower on their children, no matter how much a human does for another, with sincerity and selflessness, we come across cases, of being taken for granted or being reprimanded. Love and respect, are not always returned back, alike!
Christian principles teach us to stay resilient, to forgive , spread love and surrender (It is not for others, but for the self. I will stay away from delving into Bible and in my fondness for it, do not want to make it a spiritual/religious discourse!).
Agnes Grey, does not retaliate in vengeance for wrong treatment, rather works on changing her job and situation with full tenacity and zeal.
The novel is not an entertainer, but an edifier!
The daily-life problems are compounded by wrong decisions and destiny not unfolding the way they devised or wished to be!
A quick abridged plot-summary: -
Agnes, daughter of a minister of modest means, Mr. Grey, a loving husband and father, with a want to provide and augment his little fortune, risks his money with a merchant, who unfortunately dies in a wreck.
Plunged into debts and swamped in misery and poverty, the family scrupulously cuts-down on expenses and food. Deciding to become a bread-winner for the family, Agnes, decides to get employed as a governess for children of affluent families, with all bright hopes and ardent expectations.
Her first employment is with Bloomfield Family. Rich, condescending, diabolical than what Agnes conceived or envisioned to be, she endures to continue working with the unruly, abusive, miscreant children and the reprimanding bosses. Within an year, she is dismissed on account of slow-growth of the children. Returning back home, she starts searching for a new job, and finally gets employed with the Murrays, and this second job turns out to be a wee better than the first. Though, she still feels ignored!
Agnes helps an old woman, Nancy Brown, with poor eyesight, in reading the Bible, when she consequently ends up meeting Mr. Edward Weston, the new parson. They eventually start getting closer. Meanwhile, her father passes away, when she along with her mother, opens a school, leaving the Murrays and Mr. Weston. One day, she takes a walk by the seashore, and stumbles upon Mr. Weston. He informs her, that he has been looking for her since the time he changed his parsonage. Agnes introduces him to her mother, and accepts Mr. Weston’s proposal. Eventually they get married, and consequently become parents to 3 beautiful children.
#######################################
I wish if I could, give heartfelt infinite stars, to this evocative work of Anne Bronte(first-novel). It touched my soul and peeled off various layers, in ways inexplicable. Giving any stars, would be undermining such a work, but still 5-stars (as per the GRs rating-system).
Throughout, the novel, we can witness Agnes renewing her hope and spirit, irrespective of the abuse, frivolity and condemnation she is subjected to! She never gives into vengeance of any kind, and keeps steadying her nerves and stifling the rebellious flutter of her heart! She takes on the arduous journey of her life, with redoubled ardour and zeal! She rises every time, with hopeful exhilarations, irrespective of the profuse disappointments of the yester-day.
This novel is a work or art and hope, edifying the importance and success of Christian tenets and beliefs! I loved it!
Limiting it as a mere depiction of the exploitation of the governesses during the Victorian Era, is totally unfair, in my view. Agnes Grey, holds much more!
June 26, 2017
It pains me to only give this three stars, mainly because of the tremendous respect I have for what the three Bronte sisters accomplished in their short lives, and because Anne was overshadowed by her older sisters, Charlotte and Emily. Agnes Grey, the first of Anne's two novels (1847), was overshadowed by Wuthering Heights and Jane Eyre, also published in 1847. But Agnes Grey did two things: one, it gave us insight into Anne's life, her feelings, because it was partly autobiographical, reflecting her experience as a governess for several years; and two, it helped Anne to open up her literary potential which she used to write her second novel, The Tenant of Wildfell Hall. While it is lesser known than her older sister's classic masterpieces, it's quality puts it at the same level of excellence in my opinion. The three sisters, Charlotte, Emily, and Anne, died at the ages of 38, 31, and 29. It staggers the mind to think what they may have accomplished if they had lived another 25 or 30 years. But what they did accomplish was literary immortality, all three of them, and for that I say thank you ladies, well done.
January 6, 2022
Agnes Grey, Anne Brontë
Agnes Grey, A Novel is the debut novel of English author Anne Brontë.
The novel follows Agnes Grey, a governess, as she works within families of the English gentry. Scholarship and comments by Anne's sister Charlotte Brontë suggest the novel is largely based on Anne Brontë's own experiences as a governess for five years.
Agnes Grey is the daughter of Mr. Grey, a minister of modest means, and Mrs. Grey, a woman who left her wealthy family and married purely out of love.
Mr. Grey tries to increase the family's financial standing, but the merchant he entrusts his money to dies in a wreck, and the lost investment plunges the family into debt.
Agnes, her sister Mary, and their mother all try to keep expenses low and bring in extra money, but Agnes is frustrated that everyone treats her like a child. To prove herself and to earn money, she is determined to get a position as a governess.
Eventually, she obtains a recommendation from a well-placed acquaintance, is offered a position, and secures her parents' permission. With some misgivings, she travels to Wellwood house to work for the Bloomfield family. ...
تاریخ نخستین خوانش: روز دوازدهم ماه آگوست سال2014میلادی
عنوان: اگنس گری ؛ نویسنده: آن برونته؛ مترجم: افسانه وفا؛ ویراستار: ارسلان فقیهی؛ تهران، آفرینگان، سال1380؛ در280ص؛ شابک9649021779؛ موضوع: داستانهای نویسندگان بریتانیا - سده19م
عنوان: اگنس گری ؛ نویسنده: آن برونته؛ مترجم: رضا رضایی؛ تهران : نشر نی، سال1391؛ در259ص؛ شابک9789641852773؛ چاپ دوم سال1393؛ چاپ سوم سال1395؛ چاپ چهارم سال1396؛ چاپ پنجم سال1397؛
نقل از متن ترجمه جناب «رضایی»: (فصل یک: خانه کشیشی؛ سرگذشتهای واقعی همه گنجینه ی پند و عبرتند، منتها در بعضی از سرگذشتها پیدا کردن این گنجینه خیلی زحمت دارد، و تازه، پیدا هم که میشود، نتیجه ی آنقدر ناچیز و خالی از کار درمیآید، که آدم میبیند اصلاً به زحمتش نمیارزیده؛ من صلاحیت ندارم که بگویم سرگذشت من از این نوع است یا نه؛ گاهی فکر میکنم شاید به درد عده ای بخورد، و عده ای هم شاید سرشان با آن گرم شود؛ به هرحال، ناشناختگی، دلگرم به گذر سالها، و با کمک چند اسم ساختگی، ترس و دلهره را کنار گذاشته ام، و میخواهم رک و صریح، چیزهایی را برای همه تعریف کنم، که حتی به صمیمی ترین دوستم، حاضر نیستم بگویم؛ پدرم کشیشی بود اهل شمال «انگلستان»، و بحق مورد احترام همه ی کسانی که او را میشناختند؛ در سالهای جوانی با مقرری مختصر کشیشی، و ملک کوچک دنجش زندگی نسبتا راحتی داشت؛ مادرم، که برخلاف آرزوی دوستان و نزدیکانش زن او شده بود، دختر یک ملاّک بود، و خیلی هم با دل و جرئت؛ به او گفته بودند که اگر زن آن کشیش بی چیز بشود، باید از خیر کالسکه و خدمتکار خود بگذرد، همین طور تجملات و زرق و برقهای رفاه و آسایش، که برای او دست کمی از ضروریات زندگی نداشت؛ اما همه این حرفهایی که به او میزدند بیفایده بود؛ کالسکه و خدمتکار البته مایه آسایش و راحتی بودند، اما شکر خدا مادرم دوتا پا داشت، که با آنها هرجا میخواست میرفت، و دوتا هم دست که با آنها کارهای لازم را پیش میبرد؛ خانه مجلل با باغ و محوطه بزرگ، چیزی نبود که آدم از آن بدش بیاید، ولی مادرم حاضر بود در کلبه ای کوچک با «ریچارد گرِی» زندگی کند، اما در قصری بزرگ با هیچ مرد دیگر عالم زندگی نکند؛ پدرش، بعد از کلی جرّ و بحث بی نتیجه، بالاخره به عاشق و معشوق گفت اگر میخواهند با هم ازدواج کنند، حرفی ندارد، اما دخترش را از تمام ثروتش محروم خواهد کرد؛ فکر میکرد به این ترتیب آتش عشق و علاقه هر دو ن��ر فروکش میکند، اما اشتباه میکرد؛ پدرم به حدی قدر مادرم را میدانست، که میفهمید او وجودش یعنی ثروت؛ اگر کلبه محقرش را با قدومش روشن میکرد، با کمال میل با هر شرایطی شوهرش میشد؛ مادرم هم حاضر بود با دستهای خودش همه کارها را انجام بدهد، اما از مرد محبوبش دور نباشد، مردی که سعادتش سعادت او بود، و جسم و روحش با او یکی. به این ترتیب، ثروتش رفت به جیب خواهری که عاقلتر بود، و با تازه به دوران رسیده ای ازدواج کرده بود، که از «هند» برگشته بود؛ مادرم در میان حیرت و دلسوزی همه کسانیکه او را میشناختند، رفت خودش را دفن کرد، در خانه ی محقر کشیش دهکده ای در میان تپه های ناحیه؛ با اینحال، به رغم همه ی این مسائل، و به رغم دل و جرئتی که مادرم از خودش نشان داد، و بیعقلیهایی که پدرم مرتکب شد، بله، با همه اینها، به نظرم اگر کل «انگلستان» را زیر و رو میکردید، بعید بود زوجی خوشبختتر از این دو نفر پیدا کنید؛ از شش تا بچه، فقط من و خواهرم «مری»، از خطرات نوزادی و طفولیت جان به در بردیم؛ من که پنج شش سال از «مری» کوچکتر بودم، همیشه بچه به حساب میآمدم و عزیز دردانه ی خانواده بودم؛ پدر و مادر و خواهرم بدعادتم میکردند، نه با لوس کردنهای احمقانه ای که بداخلاق و سرکشم کند، بلکه با محبت کردنهای بی وقفه ای، که دست و پاچلفتی و وابسته ام میکرد، و نمیگذاشت آماده بشوم، که با دغدغه ها و تلاطمهای زندگی در بیفتم؛ من و «مری» در انزوای کامل بزرگ شدیم؛ مادرم که فضل و سوادی داشت، و به انواع هنرها آراسته بود، و درعین حال آدمی نبود که بیکار بنشیند، تعلیم و تربیت ما را، خودش به عهده گرفت؛ همه چیز به ما یاد میداد، جز زبان «لاتینی»، که این یکی را پدرم به عهده گرفته بود؛ به این ترتیب، ما حتی مدرسه هم نرفتیم. و چون هیچ مجلس و محفلی هم، دور و بر ما نبود، کل معاشرتی که با عالم و آدم داشتیم، خلاصه میشد به مهمانی عصرانه رسمی و سنگین و رنگینی، که گاهی با حضور مزرعه دارها، و کسبه اصلی ناحیه برگزار میشد، تا پشت سرمان حرف درنیاورند، که دماغمان را بالا میگیریم، و با دور و بریها اختلاط نمیکنیم؛ سالی یکبار میرفتیم منزل پدربزرگ پدریمان؛ اما در آنجا هم تنها کسانی که میدیدیم، خود پدربزرگمان بود، با مادر بزرگ مهربانمان، و عمه ترشیده مان؛ گاهی مادرم، برای ما داستانها و حکایتهای جالبی از جوانیهایش میگفت، که حسابی سرمان با آنها گرم میشد، اما بعضی وقتها هم، میل گنگ و مبهمی ایجاد میکرد «لااقل در من» برای دیدن چیزهای بیشتر؛ فکر میکردم که لابد خیلی خوش بود، اما هیچوقت به نظرم نرسید که افسوس گذشته ها را خورده باشد؛ با اینحال، پدرم که ذاتا ساکت و آرام بود، نه پرحرف و شلوغ، خیلی وقتها بیخود و بیجهت، خودش را میخورد، و به این فکر میکرد که همسر عزیزش به خاطر او، از چه چیزهایی چشم پوشیده؛ مدام به ذهن خودش فشار میآورد، و محض خاطر مادرم و ما بچه ها، نقشه های مختلفی برای افزایش دادن مال و اموال مختصرش میکشید؛ مادرم همه اش میگفت، از زندگیش خیلی راضی است، اما فایده نداشت، و پدرم کوتاه نمیآمد؛ مادرم به او میگفت که اگر فقط کمی برای بچه ها کنار بگذارد، برای همه کفایت میکند، چه حالا و چه در آینده؛ اما پدرم اصلاً اهل پس انداز نبود؛ البته بدهی بالا نمیآورد «لااقل مادر حواسش بود که این طور نشود»، ولی پدرم پول توی جیبش بند نمیشد، و خرج میکرد؛ دوست داشت خانه و کاشانه اش راحت باشد، و همسر و دخترهایش خوب بپوشند، و سرشان را بالا بگیرند؛ درعین حال، آدم خیری بود، و دوست داشت در حد وُسع خودش، یا به قول عده ای خارج از حد وُسع خودش، به آدمهای بیچیز کمک کند؛ بالاخره، روزی دوست شفیقی به او گفت، چطور میتواند دارایی اش را یکشبه دو برابر کند، و بعد هم باز دو برابرش کند، تا بالاخره سر به فلک بکشد؛ این دوست شفیق پدرم تاجر بود، مرد خوش روحیه ای که استعداد بیچون و چرایی داشت؛ به علت کمبود سرمایه، دستش در تجارت بسته بود، اما در عوض دلش باز بود، و با سخاوت بینظیری میخواست پدرم را، در سود تجارتش شریک کند، فقط به این شرط که هرچه پس انداز کرده، به او بسپارد؛ قول صددرصد هم میداد، که هر مبلغی که پدرم در اختیارش بگذارد، با سود صددرصد به او برمیگرداند؛ اموال مختصر پدری به سرعت فروخته شد، و کل مبلغ به کف باکفایت تاجر شفیق سپرده شد؛ او هم بلافاصله بارش را بست، و آماده سفر دریایی شد؛ پدرم خوشحال بود؛ ما هم از فکر آینده تابناکمان خوشحال بودیم؛ البته عجالتا قناعت کرده بودیم، به عواید ناچیز وظایف کشیشی، اما پدرم فکر میکرد، لازم نیست زیاد هم سخت بگیریم، و از خرجمان بزنیم تا مساوی دخلمان بشود؛ به این ترتیب، با خریدهای نسیه از مغازه آقای «جکسن»، و همین طور مغازه «اسمیت» و مغازه «هابسن»، اموراتمان راحت میگذشت، حتی راحتتر از قبل؛ البته مادرم میگفت که بهتر است، پایمان را از گلیممان درازتر نکنیم، چون به ثروت آینده، نمیشد مطمئنِ مطمئن بود؛ میگفت پدرم اگر کارها را به او بسپارد، وضعی پیش نمیآید که به او سخت بگذرد؛ اما، در این مورد خاص، پدرم اصلاح ناپذیر بود؛ من و «مری» چه روزهای خوشی را سپری میکردیم؛ با وسایل خیاطیمان کنار بخاری مینشستیم، یا وسط تپه های بوته زار میپلکیدیم، یا پای درخت بیدمجنون که تنها درخت درست و حسابی باغ بود، ول میگشتیم، و با خودمان و پدر و مادرمان از خوشبختی آینده حرف میزدیم، از کارهایی که قرار ��ود بکنیم، جاهایی که قرار بود ببینیم، و چیزهایی که قرار بود بخریم؛ این دنیای جذابی که برای خودمان تصور میکردیم، هیچ مبنای محکمی نداشت، جز ثروتی که منتظر بودیم بعد از تعبیر شدن آرزوهای تاجر محترم، به طرف ما سرازیر بشود؛ پدرمان هم دست کمی از ما نداشت؛ فقط وانمود میکرد، که زیاد جدی نمیگیرد؛ امیدهای تابناک، و آرزوهای خوش خود را، با شوخیها و متلکهایی بیان میکرد، که برای من خیلی بامزه و جالب بودند؛ مادرمان که او را اینقدر امیدوار و خوشحال میدید، از ته دل میخندید، اما باز نگران بود که مبادا پدرمان دلش را زیاد به این قضیه خوش کرده باشد؛ یک روز، موقعی که مادرم از اتاق خارج میشد، شنیدم که زیرلب میگفت: «خدا کند خودش را نبازد! نمیدانم چه طور تحمل میکند.» اما خودش را باخت؛ بدجور هم باخت؛ انگار صاعقه نازل شده باشد، باخبر شدیم که کشتی بخت ما غرق شده، و با کل موجودی اش به عمق آب رفته، همینطور چند نفر از خدمه اش، و طفلکی خود تاجر بدشانس؛ من به خاطر او غصه خوردم؛ به خاطر فروریختن همه قصرهای خیالیمان هم غصه خوردم، اما به لطف جوانیم خیلی زود از این ضربه کمر راست کردم.)؛ پایان نقل
تاریخ بهنگام رسانی 13/10/1399هجری خورشیدی؛ 15/10/1400هجری خورشیدی؛ ا. شربیانی
Agnes Grey, A Novel is the debut novel of English author Anne Brontë.
The novel follows Agnes Grey, a governess, as she works within families of the English gentry. Scholarship and comments by Anne's sister Charlotte Brontë suggest the novel is largely based on Anne Brontë's own experiences as a governess for five years.
Agnes Grey is the daughter of Mr. Grey, a minister of modest means, and Mrs. Grey, a woman who left her wealthy family and married purely out of love.
Mr. Grey tries to increase the family's financial standing, but the merchant he entrusts his money to dies in a wreck, and the lost investment plunges the family into debt.
Agnes, her sister Mary, and their mother all try to keep expenses low and bring in extra money, but Agnes is frustrated that everyone treats her like a child. To prove herself and to earn money, she is determined to get a position as a governess.
Eventually, she obtains a recommendation from a well-placed acquaintance, is offered a position, and secures her parents' permission. With some misgivings, she travels to Wellwood house to work for the Bloomfield family. ...
تاریخ نخستین خوانش: روز دوازدهم ماه آگوست سال2014میلادی
عنوان: اگنس گری ؛ نویسنده: آن برونته؛ مترجم: افسانه وفا؛ ویراستار: ارسلان فقیهی؛ تهران، آفرینگان، سال1380؛ در280ص؛ شابک9649021779؛ موضوع: داستانهای نویسندگان بریتانیا - سده19م
عنوان: اگنس گری ؛ نویسنده: آن برونته؛ مترجم: رضا رضایی؛ تهران : نشر نی، سال1391؛ در259ص؛ شابک9789641852773؛ چاپ دوم سال1393؛ چاپ سوم سال1395؛ چاپ چهارم سال1396؛ چاپ پنجم سال1397؛
نقل از متن ترجمه جناب «رضایی»: (فصل یک: خانه کشیشی؛ سرگذشتهای واقعی همه گنجینه ی پند و عبرتند، منتها در بعضی از سرگذشتها پیدا کردن این گنجینه خیلی زحمت دارد، و تازه، پیدا هم که میشود، نتیجه ی آنقدر ناچیز و خالی از کار درمیآید، که آدم میبیند اصلاً به زحمتش نمیارزیده؛ من صلاحیت ندارم که بگویم سرگذشت من از این نوع است یا نه؛ گاهی فکر میکنم شاید به درد عده ای بخورد، و عده ای هم شاید سرشان با آن گرم شود؛ به هرحال، ناشناختگی، دلگرم به گذر سالها، و با کمک چند اسم ساختگی، ترس و دلهره را کنار گذاشته ام، و میخواهم رک و صریح، چیزهایی را برای همه تعریف کنم، که حتی به صمیمی ترین دوستم، حاضر نیستم بگویم؛ پدرم کشیشی بود اهل شمال «انگلستان»، و بحق مورد احترام همه ی کسانی که او را میشناختند؛ در سالهای جوانی با مقرری مختصر کشیشی، و ملک کوچک دنجش زندگی نسبتا راحتی داشت؛ مادرم، که برخلاف آرزوی دوستان و نزدیکانش زن او شده بود، دختر یک ملاّک بود، و خیلی هم با دل و جرئت؛ به او گفته بودند که اگر زن آن کشیش بی چیز بشود، باید از خیر کالسکه و خدمتکار خود بگذرد، همین طور تجملات و زرق و برقهای رفاه و آسایش، که برای او دست کمی از ضروریات زندگی نداشت؛ اما همه این حرفهایی که به او میزدند بیفایده بود؛ کالسکه و خدمتکار البته مایه آسایش و راحتی بودند، اما شکر خدا مادرم دوتا پا داشت، که با آنها هرجا میخواست میرفت، و دوتا هم دست که با آنها کارهای لازم را پیش میبرد؛ خانه مجلل با باغ و محوطه بزرگ، چیزی نبود که آدم از آن بدش بیاید، ولی مادرم حاضر بود در کلبه ای کوچک با «ریچارد گرِی» زندگی کند، اما در قصری بزرگ با هیچ مرد دیگر عالم زندگی نکند؛ پدرش، بعد از کلی جرّ و بحث بی نتیجه، بالاخره به عاشق و معشوق گفت اگر میخواهند با هم ازدواج کنند، حرفی ندارد، اما دخترش را از تمام ثروتش محروم خواهد کرد؛ فکر میکرد به این ترتیب آتش عشق و علاقه هر دو ن��ر فروکش میکند، اما اشتباه میکرد؛ پدرم به حدی قدر مادرم را میدانست، که میفهمید او وجودش یعنی ثروت؛ اگر کلبه محقرش را با قدومش روشن میکرد، با کمال میل با هر شرایطی شوهرش میشد؛ مادرم هم حاضر بود با دستهای خودش همه کارها را انجام بدهد، اما از مرد محبوبش دور نباشد، مردی که سعادتش سعادت او بود، و جسم و روحش با او یکی. به این ترتیب، ثروتش رفت به جیب خواهری که عاقلتر بود، و با تازه به دوران رسیده ای ازدواج کرده بود، که از «هند» برگشته بود؛ مادرم در میان حیرت و دلسوزی همه کسانیکه او را میشناختند، رفت خودش را دفن کرد، در خانه ی محقر کشیش دهکده ای در میان تپه های ناحیه؛ با اینحال، به رغم همه ی این مسائل، و به رغم دل و جرئتی که مادرم از خودش نشان داد، و بیعقلیهایی که پدرم مرتکب شد، بله، با همه اینها، به نظرم اگر کل «انگلستان» را زیر و رو میکردید، بعید بود زوجی خوشبختتر از این دو نفر پیدا کنید؛ از شش تا بچه، فقط من و خواهرم «مری»، از خطرات نوزادی و طفولیت جان به در بردیم؛ من که پنج شش سال از «مری» کوچکتر بودم، همیشه بچه به حساب میآمدم و عزیز دردانه ی خانواده بودم؛ پدر و مادر و خواهرم بدعادتم میکردند، نه با لوس کردنهای احمقانه ای که بداخلاق و سرکشم کند، بلکه با محبت کردنهای بی وقفه ای، که دست و پاچلفتی و وابسته ام میکرد، و نمیگذاشت آماده بشوم، که با دغدغه ها و تلاطمهای زندگی در بیفتم؛ من و «مری» در انزوای کامل بزرگ شدیم؛ مادرم که فضل و سوادی داشت، و به انواع هنرها آراسته بود، و درعین حال آدمی نبود که بیکار بنشیند، تعلیم و تربیت ما را، خودش به عهده گرفت؛ همه چیز به ما یاد میداد، جز زبان «لاتینی»، که این یکی را پدرم به عهده گرفته بود؛ به این ترتیب، ما حتی مدرسه هم نرفتیم. و چون هیچ مجلس و محفلی هم، دور و بر ما نبود، کل معاشرتی که با عالم و آدم داشتیم، خلاصه میشد به مهمانی عصرانه رسمی و سنگین و رنگینی، که گاهی با حضور مزرعه دارها، و کسبه اصلی ناحیه برگزار میشد، تا پشت سرمان حرف درنیاورند، که دماغمان را بالا میگیریم، و با دور و بریها اختلاط نمیکنیم؛ سالی یکبار میرفتیم منزل پدربزرگ پدریمان؛ اما در آنجا هم تنها کسانی که میدیدیم، خود پدربزرگمان بود، با مادر بزرگ مهربانمان، و عمه ترشیده مان؛ گاهی مادرم، برای ما داستانها و حکایتهای جالبی از جوانیهایش میگفت، که حسابی سرمان با آنها گرم میشد، اما بعضی وقتها هم، میل گنگ و مبهمی ایجاد میکرد «لااقل در من» برای دیدن چیزهای بیشتر؛ فکر میکردم که لابد خیلی خوش بود، اما هیچوقت به نظرم نرسید که افسوس گذشته ها را خورده باشد؛ با اینحال، پدرم که ذاتا ساکت و آرام بود، نه پرحرف و شلوغ، خیلی وقتها بیخود و بیجهت، خودش را میخورد، و به این فکر میکرد که همسر عزیزش به خاطر او، از چه چیزهایی چشم پوشیده؛ مدام به ذهن خودش فشار میآورد، و محض خاطر مادرم و ما بچه ها، نقشه های مختلفی برای افزایش دادن مال و اموال مختصرش میکشید؛ مادرم همه اش میگفت، از زندگیش خیلی راضی است، اما فایده نداشت، و پدرم کوتاه نمیآمد؛ مادرم به او میگفت که اگر فقط کمی برای بچه ها کنار بگذارد، برای همه کفایت میکند، چه حالا و چه در آینده؛ اما پدرم اصلاً اهل پس انداز نبود؛ البته بدهی بالا نمیآورد «لااقل مادر حواسش بود که این طور نشود»، ولی پدرم پول توی جیبش بند نمیشد، و خرج میکرد؛ دوست داشت خانه و کاشانه اش راحت باشد، و همسر و دخترهایش خوب بپوشند، و سرشان را بالا بگیرند؛ درعین حال، آدم خیری بود، و دوست داشت در حد وُسع خودش، یا به قول عده ای خارج از حد وُسع خودش، به آدمهای بیچیز کمک کند؛ بالاخره، روزی دوست شفیقی به او گفت، چطور میتواند دارایی اش را یکشبه دو برابر کند، و بعد هم باز دو برابرش کند، تا بالاخره سر به فلک بکشد؛ این دوست شفیق پدرم تاجر بود، مرد خوش روحیه ای که استعداد بیچون و چرایی داشت؛ به علت کمبود سرمایه، دستش در تجارت بسته بود، اما در عوض دلش باز بود، و با سخاوت بینظیری میخواست پدرم را، در سود تجارتش شریک کند، فقط به این شرط که هرچه پس انداز کرده، به او بسپارد؛ قول صددرصد هم میداد، که هر مبلغی که پدرم در اختیارش بگذارد، با سود صددرصد به او برمیگرداند؛ اموال مختصر پدری به سرعت فروخته شد، و کل مبلغ به کف باکفایت تاجر شفیق سپرده شد؛ او هم بلافاصله بارش را بست، و آماده سفر دریایی شد؛ پدرم خوشحال بود؛ ما هم از فکر آینده تابناکمان خوشحال بودیم؛ البته عجالتا قناعت کرده بودیم، به عواید ناچیز وظایف کشیشی، اما پدرم فکر میکرد، لازم نیست زیاد هم سخت بگیریم، و از خرجمان بزنیم تا مساوی دخلمان بشود؛ به این ترتیب، با خریدهای نسیه از مغازه آقای «جکسن»، و همین طور مغازه «اسمیت» و مغازه «هابسن»، اموراتمان راحت میگذشت، حتی راحتتر از قبل؛ البته مادرم میگفت که بهتر است، پایمان را از گلیممان درازتر نکنیم، چون به ثروت آینده، نمیشد مطمئنِ مطمئن بود؛ میگفت پدرم اگر کارها را به او بسپارد، وضعی پیش نمیآید که به او سخت بگذرد؛ اما، در این مورد خاص، پدرم اصلاح ناپذیر بود؛ من و «مری» چه روزهای خوشی را سپری میکردیم؛ با وسایل خیاطیمان کنار بخاری مینشستیم، یا وسط تپه های بوته زار میپلکیدیم، یا پای درخت بیدمجنون که تنها درخت درست و حسابی باغ بود، ول میگشتیم، و با خودمان و پدر و مادرمان از خوشبختی آینده حرف میزدیم، از کارهایی که قرار ��ود بکنیم، جاهایی که قرار بود ببینیم، و چیزهایی که قرار بود بخریم؛ این دنیای جذابی که برای خودمان تصور میکردیم، هیچ مبنای محکمی نداشت، جز ثروتی که منتظر بودیم بعد از تعبیر شدن آرزوهای تاجر محترم، به طرف ما سرازیر بشود؛ پدرمان هم دست کمی از ما نداشت؛ فقط وانمود میکرد، که زیاد جدی نمیگیرد؛ امیدهای تابناک، و آرزوهای خوش خود را، با شوخیها و متلکهایی بیان میکرد، که برای من خیلی بامزه و جالب بودند؛ مادرمان که او را اینقدر امیدوار و خوشحال میدید، از ته دل میخندید، اما باز نگران بود که مبادا پدرمان دلش را زیاد به این قضیه خوش کرده باشد؛ یک روز، موقعی که مادرم از اتاق خارج میشد، شنیدم که زیرلب میگفت: «خدا کند خودش را نبازد! نمیدانم چه طور تحمل میکند.» اما خودش را باخت؛ بدجور هم باخت؛ انگار صاعقه نازل شده باشد، باخبر شدیم که کشتی بخت ما غرق شده، و با کل موجودی اش به عمق آب رفته، همینطور چند نفر از خدمه اش، و طفلکی خود تاجر بدشانس؛ من به خاطر او غصه خوردم؛ به خاطر فروریختن همه قصرهای خیالیمان هم غصه خوردم، اما به لطف جوانیم خیلی زود از این ضربه کمر راست کردم.)؛ پایان نقل
تاریخ بهنگام رسانی 13/10/1399هجری خورشیدی؛ 15/10/1400هجری خورشیدی؛ ا. شربیانی
December 13, 2023
This book draws from the author's experience as a governess in the first half of the 19th century. It is a world where a distance of two miles is considered far and makes daily visits practically impossible. In this confined world, everyone knows and observes one's neighbors. Young Agnes, the book's protagonist, leaves her close-knit family to work as a governess. With astonishing patience, she does her best to teach the spoiled children of wealthy families. Their parents closely watched her and pointed out every mistake in their children's behavior but gave Agnes no authority over them.
Agnes Grey is not a book with a breathtaking plot but a quiet read that provides a peaceful world to withdraw after the day's work. (Don't read that book in the subway. It won't work.) In this book, you'll find this 19th-century illusion of a kind, quiet, and regular life: Regular mealtimes, a peaceful family life, polite behavior, speech, regular Sunday services, and sound morality. It is a refreshing contrast to modern life. At the same time, the book tells the story of a widow thriving as a freelancer in those times. So, if you want inspiration, this book might be for you. It is interesting to observe how this freelancer acquires customers in yesterday's world, and her working life is relatable. There is also a love story. But, as expected from such a book, it is a serene, peaceful, decent love story. And won't reveal the end until the very last chapter of the book. And the best of it: When putting this book down, I think you will be relieved that you've returned from a world where every word and every look has been cautiously observed and assessed and where you can hold everything you do or say against you forever. You're back to reality, and if you feel like it, you can swear loudly and bang your fist on the table as you do so. (Please wait until I've left the scene.)
Agnes Grey is not a book with a breathtaking plot but a quiet read that provides a peaceful world to withdraw after the day's work. (Don't read that book in the subway. It won't work.) In this book, you'll find this 19th-century illusion of a kind, quiet, and regular life: Regular mealtimes, a peaceful family life, polite behavior, speech, regular Sunday services, and sound morality. It is a refreshing contrast to modern life. At the same time, the book tells the story of a widow thriving as a freelancer in those times. So, if you want inspiration, this book might be for you. It is interesting to observe how this freelancer acquires customers in yesterday's world, and her working life is relatable. There is also a love story. But, as expected from such a book, it is a serene, peaceful, decent love story. And won't reveal the end until the very last chapter of the book. And the best of it: When putting this book down, I think you will be relieved that you've returned from a world where every word and every look has been cautiously observed and assessed and where you can hold everything you do or say against you forever. You're back to reality, and if you feel like it, you can swear loudly and bang your fist on the table as you do so. (Please wait until I've left the scene.)
April 13, 2024
In 1847, Charlotte Bronte's novel, Jane Eyre, was published, her sister Emily's, book also , Wuthering Heights and finally the 3rd sister, Anne's, Agnes Grey . The first two became classics, the other one, until recently, almost forgotten. An autobiographical novel with a simple plot. Poor clergyman's daughter, becomes a governess, to rich snobs, in order not to be a burden to her family. The father, Richard, lost his money in a bad investment, his ship didn't come in, it sank, worse yet, he owes money too... Agnes's parents and older sister Mary and she, must struggle to survive. It doesn't help that Richard Grey, goes into a deep, prolonged depression, always brooding, and becomes nearly useless. Growing up Agnes, knows little about the rest of the world, seeing only her relatives and educated by them. Reading was her escape from a dull, secluded life. After much persuasion, (the unthinkable idea) Anne gets permission, to leave home and find work, twenty miles from her house, in Yorkshire, the eighteen- year- old, has secured a position, with the Bloomfield family. Four children, Tom,7, Mary Ann, 6, Fanny, 4 , and Harriet, 2, all brats, the little boy likes torturing captured birds. The invariably kindhearted Miss Grey, is powerless to prevent such cruelties, Mrs. Bloomfield, (doesn't care) and had given her a cold reception, putting Agnes, in her place, as a lowly governess. The new servant quickly becomes disillusioned, the world is a harsh place, indeed. The children disobey her, ridicule Agnes, and teaching them becomes impossible. The father, is never around, can't be bothered. She gets dismissed and returns home, to the drab parsonage, but Agnes will try again, this time seventy miles away, yet another unpleasant experience . The Murray's have older children... two young boys and Rosalie at 16, very pretty, almost a woman but immature and selfish, her tomboyish younger sister, Matilda, she would rather ride her horses, than dress up for dances. Her only happiness is the curate, she Agnes, had met, Edward Weston, while visiting a sick old woman, still the plain looking girl, knows her limitations. Soon silly Rosalie, with much encouragement from her social climbing, callous mother, becomes engaged to a rich, evil, drunkard and barbaric aristocrat, Lord Ashby. The flirtatious Rosalie marries him, at a proper age, but loves another, Agnes had warned her, but was laughed at, just a common servant. It is all about money and social position ! Of course later on she, will greatly regret her choice, you can't sleep with gold, it gives no warmth. A chance meeting with Mr. Edward Weston, a man she , never thought, would see again, months after Agnes, had left her work. ... on a lonely quiet beach, in Scarborough, early in the morning, as the glorious sun rose, the two watching the lovely sight, silently, no words were necessary... they knew what each felt...
June 27, 2018
"... for nothing can be taught to any purpose without some little exertion on the part of the learner."
So here we are, finding consolation in reading about the reality of schooling in a novel published almost two centuries ago. That quote is true, my dear Agnes alias Anne. And how come we still don't quote you on each curriculum, on each report card, on each test result?
Well, that is because you let your governess alter ego discover the other eternal truth as well, known to teachers of all curricula: namely that many parents may CLAIM to want to hear the truth about their children, and they may CLAIM to want them to learn and work studiously, but in reality, what they want to hear is praise of their offspring's unique genius, and they also want to be spared the parental effort it takes to instil respect and love of learning in their children - which is contrary to their natural desire to feel superior to the person assigned to take care of the schooling.
Being a governess in upper class Victorian England might sound like a completely different work experience when we compare it to being a school teacher in contemporary Sweden, but it is not. Where effort is avoided, and students are indulged to avoid short term tantrums and conflicts, the exact same situation occurs. A teacher trying to commit to a calling, a profession, will always be the first target for self-involved parents without true inclination for genuine education. Targeting the children is too close to self-criticism.
What I learned - yet again - from reading Agnes Grey is that human nature is the same over time and space, and that change can only happen on an individual, voluntary level. Parenting matters, more than anything else in the world. The ideas we give our children on how to treat our fellow human beings, and on how to approach the privilege of being educated and well cared for, still make all the difference for their development.
Tell students that the teacher is inferior to their parents and should be treated like a servant, and nothing the teacher teaches the students will be judged worth knowing. Tell them, on the other hand, that learning is the magical gate towards a self-determined and independent life, and that the teacher holds the key to the gate, - and the children will be sponges soaking up whatever knowledge they can collect. It is all about the mindset we give our children.
On the sidelines of the main social issue - the hardship of young educated women trying to succeed in the teaching profession - Agnes Grey manages to describe another ordeal of vulnerable female characters: the marrying business. One might get the notion that a woman can only choose between Scylla and Charybdis when making her path between the inhumane treatment of governesses and the eternal unhappiness following a conventional loveless marriage.
Had the youngest Brontë sister lived longer, she might have found a third path for herself - that of a successful writer. As it is, she remains forever contemporary in her honest and critical assessment of social injustice in her own time, based on firsthand experience and accurate rendering of basic psychological structures in upper class parenting.
Is it making me feel hope or despair to realise that there never were any good ol' times? I don't know.
I think it makes me feel hope that ANY society, no matter how dysfunctional and discriminating, can occasionally see the rise of brave and independent spirits like Agnes/Anne who dare to speak up for change. To be the change. To say and act on what is true:
"... for nothing can be taught to any purpose without some little exertion on the part of the learner."
So here we are, finding consolation in reading about the reality of schooling in a novel published almost two centuries ago. That quote is true, my dear Agnes alias Anne. And how come we still don't quote you on each curriculum, on each report card, on each test result?
Well, that is because you let your governess alter ego discover the other eternal truth as well, known to teachers of all curricula: namely that many parents may CLAIM to want to hear the truth about their children, and they may CLAIM to want them to learn and work studiously, but in reality, what they want to hear is praise of their offspring's unique genius, and they also want to be spared the parental effort it takes to instil respect and love of learning in their children - which is contrary to their natural desire to feel superior to the person assigned to take care of the schooling.
Being a governess in upper class Victorian England might sound like a completely different work experience when we compare it to being a school teacher in contemporary Sweden, but it is not. Where effort is avoided, and students are indulged to avoid short term tantrums and conflicts, the exact same situation occurs. A teacher trying to commit to a calling, a profession, will always be the first target for self-involved parents without true inclination for genuine education. Targeting the children is too close to self-criticism.
What I learned - yet again - from reading Agnes Grey is that human nature is the same over time and space, and that change can only happen on an individual, voluntary level. Parenting matters, more than anything else in the world. The ideas we give our children on how to treat our fellow human beings, and on how to approach the privilege of being educated and well cared for, still make all the difference for their development.
Tell students that the teacher is inferior to their parents and should be treated like a servant, and nothing the teacher teaches the students will be judged worth knowing. Tell them, on the other hand, that learning is the magical gate towards a self-determined and independent life, and that the teacher holds the key to the gate, - and the children will be sponges soaking up whatever knowledge they can collect. It is all about the mindset we give our children.
On the sidelines of the main social issue - the hardship of young educated women trying to succeed in the teaching profession - Agnes Grey manages to describe another ordeal of vulnerable female characters: the marrying business. One might get the notion that a woman can only choose between Scylla and Charybdis when making her path between the inhumane treatment of governesses and the eternal unhappiness following a conventional loveless marriage.
Had the youngest Brontë sister lived longer, she might have found a third path for herself - that of a successful writer. As it is, she remains forever contemporary in her honest and critical assessment of social injustice in her own time, based on firsthand experience and accurate rendering of basic psychological structures in upper class parenting.
Is it making me feel hope or despair to realise that there never were any good ol' times? I don't know.
I think it makes me feel hope that ANY society, no matter how dysfunctional and discriminating, can occasionally see the rise of brave and independent spirits like Agnes/Anne who dare to speak up for change. To be the change. To say and act on what is true:
"... for nothing can be taught to any purpose without some little exertion on the part of the learner."
October 12, 2023
Agnes Grey is Anne Bronte’s first attempt at a novel. It is partly autobiographic. Young Anne Bronte worked as a governess with a view to support her family. Her time as a governess made her see the precarious position of a governess; they were not servants and nor of the family. This made both quarters at a loss as how to treat a governess. Anne’s time as a governess were filled with bitter experiences and it is not surprising that at Anne’s first attempt at writing that she should bring a female protagonist (Agnes) who undergoes a similar fate as her as a governess. Charlotte Bronte in her “Biographical notice of Ellis and Acton Bell, 1850” stated that “hers (Anne’s) was naturally a sensitive, reserved and dejected nature; what she saw sank very deeply into her mind; it did her harm. She brooded over it till she believed it a duty to reproduce every detail (of course with fictitious characters, incidents, and situations)…”. While Charlotte thought that Anne’s personal experiences and observations did her harm, I think they helped her produce two great literary works which served to convey strong messages to the Victorian society.
The main reason Anne wanted to write the novel was to bring to the light the many difficulties, indignities, discriminations a governess faces while carrying out their duties. She wanted the society to know them, to view things from a governess’s point of view. It is said that many society ladies of the day have expressed their wishes to treat their governesses differently after reading the book. This in itself is the reward for her labours. This shows how successful her story was.
As the title implies, the story of Agnes Grey is focused on the protagonist, Agnes Grey, who is also the narrator of the story. The story flows from Agnes’s childhood to her position as governess and teacher to her marriage and motherhood. If you take the story itself, it is a very simple one. One cannot even say it is an exciting story, except perhaps towards the end. Yet the story binds you with such power that you cannot put it down. It draws you in with its honesty and earnestness. Agnes is not perfect; she has her goodness and many weaknesses. She honestly bares her life to the reader without reservation or justification. This quality in narration makes the readers like Agnes. They can sympathize with her and also empathize with her. Anne’s character employment is clever; the supporting characters she employs in the story helps to bring out and develop the character of Agnes. This is so successfully done, for even if you don’t like Agnes at the beginning, she slowly grows on you, and you end up liking her.
Anne’s writing is beautiful. It may not have the imagination of Emily or the passionate ranting of Charlotte, but there is an earnestness, a truthfulness, a boldness and a tranquility. It is her writing that captures me. This is not to say that I don’t like the writing of Emily or Charlotte, but Anne’s writing is special. It is one of the reasons, among other things, that Anne has become my favourite Bronte. Also I feel Anne’s style is more Austenian, following the writing of the Regency period. Her subject matter is essentially Victorian, but the gravity of Victorian writing is absent from her work. Instead she has adopted the light and beautiful writing of the preceding Regency period.
Agnes Grey is a sensitive story, just like Anne’s other novel The Tenant of the Wildfell Hall . I love this sensitivity, and I love Anne for her sensitivity. The read was interesting and engaging. I enjoyed it.
It is a pity that such a talent was taken away at a young age of thirty before her potentials could be fully realized. However, for her limited life she gifted two great works to the literary world. And we readers will forever be grateful for her for her literary contribution.
The main reason Anne wanted to write the novel was to bring to the light the many difficulties, indignities, discriminations a governess faces while carrying out their duties. She wanted the society to know them, to view things from a governess’s point of view. It is said that many society ladies of the day have expressed their wishes to treat their governesses differently after reading the book. This in itself is the reward for her labours. This shows how successful her story was.
As the title implies, the story of Agnes Grey is focused on the protagonist, Agnes Grey, who is also the narrator of the story. The story flows from Agnes’s childhood to her position as governess and teacher to her marriage and motherhood. If you take the story itself, it is a very simple one. One cannot even say it is an exciting story, except perhaps towards the end. Yet the story binds you with such power that you cannot put it down. It draws you in with its honesty and earnestness. Agnes is not perfect; she has her goodness and many weaknesses. She honestly bares her life to the reader without reservation or justification. This quality in narration makes the readers like Agnes. They can sympathize with her and also empathize with her. Anne’s character employment is clever; the supporting characters she employs in the story helps to bring out and develop the character of Agnes. This is so successfully done, for even if you don’t like Agnes at the beginning, she slowly grows on you, and you end up liking her.
Anne’s writing is beautiful. It may not have the imagination of Emily or the passionate ranting of Charlotte, but there is an earnestness, a truthfulness, a boldness and a tranquility. It is her writing that captures me. This is not to say that I don’t like the writing of Emily or Charlotte, but Anne’s writing is special. It is one of the reasons, among other things, that Anne has become my favourite Bronte. Also I feel Anne’s style is more Austenian, following the writing of the Regency period. Her subject matter is essentially Victorian, but the gravity of Victorian writing is absent from her work. Instead she has adopted the light and beautiful writing of the preceding Regency period.
Agnes Grey is a sensitive story, just like Anne’s other novel The Tenant of the Wildfell Hall . I love this sensitivity, and I love Anne for her sensitivity. The read was interesting and engaging. I enjoyed it.
It is a pity that such a talent was taken away at a young age of thirty before her potentials could be fully realized. However, for her limited life she gifted two great works to the literary world. And we readers will forever be grateful for her for her literary contribution.
May 1, 2021
A brilliant Brontë, as always - historically fascinating in terms of examining the role of governesses in the 19th century, and a thoroughly moving love story besides.
Thoughts on rereading - I think I enjoyed this even more. A really interesting, engaging, subtle little story.
Thoughts on rereading - I think I enjoyed this even more. A really interesting, engaging, subtle little story.
October 13, 2020
"El corazón humano es como una pieza de caucho: se dilata, pero puede estirarse mucho sin llegar a estallar. Si poco más que nada lo perturba, poco menos que todo es necesario para romperlo."
Las hermanas Brontë no se caracterizaban por escribir empalagosas historias de amor ni por retratar mujeres ingenuas y tontas sino todo lo contrario: sus personajes son decididos, valientes y tormentosos; enfrentan lo que la vida les depara con determinación aunque estas características no se observan en forma tan marcada en el caso de Agnes Grey.
Más allá de que no he leído todos los libros de las Brontë (creo que para cerrar un concepto del ideal bronteano debería leer también La inquilina de Wildfell Hall y Vilette), si comparo el carácter de Agnes con el de Jane Eyre o Catalina de Cumbres Borrascosas la encuentro más sosegada y renuente al choque o el conflicto.
Anne Brontë toma todas sus experiencias como institutriz, casualmente iniciadas a sus jóvenes diecinueve años y las vuelca en este alter ego que es Agnes. Ser la menor de las Brontë se nota en su prosa, puesto que no es tan refinada y elevadamente poética como la de su hermana Charlotte ni tan despojada de sutilezas como las de Emily en Cumbres Borrascosas; aunque ello no quiere decir que sea de menor calidad. La novela está escrita en forma amena y no aburre y aunque es más corta que las otras su argumento es parecido pero distinto al de Jane Eyre (mis disculpas por comparar estos dos libros, pero es que tengo sus lecturas muy frescas en mi cabeza). La historia de Agnes está narrada prácticamente como si fuera un diario y en su corta vida, tan corta como lo fue la de la misma Anne nos relata todo lo sucedido desde la salida de su hogar para ayudar a sus padres luego de un desafortunado evento financiero hasta recalar en las mansiones de dos adineradas familias para las que trabajará como institutriz. Debe sacrificarse para ayudar y está decidida a ello.
Hasta ese momento ha sido una chica simple, de su casa. Gris, como su apellido. Pero las nuevas experiencias, golpes y sufrimientos la foguearán rápidamente en la vida.
En el caso de su estadía en Wellwood como institutriz de los niños Bloomfield (Tom, Mary Ann, Harriet y Fanny) su situación es terrible. Se encuentra rodeada de cuatro niños crueles y despiadados. Verdaderos monstruos de pesadilla a los que no logra doblegar y que además cuentan con la sobreprotección de una madre despótica y un padre frenético que jamás se opondrán a los caprichos de sus hijos. Sumado a esto, los niños poseen una influencia negativa y violenta que proviene de su tío Robson.
Una vez que no puede con su alma para con esta jauría de inadaptados decide volver para probar suerte con otra familia, los Murray, de Horton Lodge y aquí transcurre gran parte de la novela.
En este caso no son niños sino dos muchachas adolescentes, malcriadas y de alta alcurnia, Matilda y Rosalie Murray, que luchan por imponer su apellido en la alta sociedad. Toda la familia Murray es así. Y Agnes es arrastrada a obedecer todo tipo de caprichos. En un momento Agnes lo reconoce luego de conocer a Nancy Brown, una viuda casi ciega, que se transforma en su única compañía y a la que visita para aliviar su soledad: "Mis únicos compañeros habían sido niños desagradables e ignorantes niñas testarudas; y la soledad continuada, que me apartaba de aquella agotadora locura, se había convertido en alivio, en algo que deseaba y valoraba intensamente."
Agnes peca por momentos de ser demasiado permisiva, sumisa y de poco carácter. Es vapuleada por personas de carácter fuerte y agresivo y todo esto va mellando su espíritu. Pero como no todo en estas novelas son espinas, aparecerá un personaje que le dará motivos para sentirse esperanzada: el vicario Edward Weston con lo que su vida tendrá otro aliciente entre tanta abnegación y esfuerzo.
Como comentara previamente, esta novela es mucho más corta que las de sus hermanas y la historia, si bien tiene puntos en común con la de Jane Eyre está muy bien narrada, con personajes a la altura de lo que sucede y un estilo más llano y menos poético que el de Charlotte Brontë pero no por ello menos interesante.
He completado una trilogía de novelas bronteanas y de momento no creo que vaya a leer novelas de estas grandes escritoras de momento.
Puedo aseverar que las hermanas Brontë son un caso único en la literatura y el hecho de que Cumbres Borrascosas, Jane Eyre y Agnes Grey hayan sido publicados en 1847 marca una maravillosa coincidencia literaria.
Las hermanas Brontë no se caracterizaban por escribir empalagosas historias de amor ni por retratar mujeres ingenuas y tontas sino todo lo contrario: sus personajes son decididos, valientes y tormentosos; enfrentan lo que la vida les depara con determinación aunque estas características no se observan en forma tan marcada en el caso de Agnes Grey.
Más allá de que no he leído todos los libros de las Brontë (creo que para cerrar un concepto del ideal bronteano debería leer también La inquilina de Wildfell Hall y Vilette), si comparo el carácter de Agnes con el de Jane Eyre o Catalina de Cumbres Borrascosas la encuentro más sosegada y renuente al choque o el conflicto.
Anne Brontë toma todas sus experiencias como institutriz, casualmente iniciadas a sus jóvenes diecinueve años y las vuelca en este alter ego que es Agnes. Ser la menor de las Brontë se nota en su prosa, puesto que no es tan refinada y elevadamente poética como la de su hermana Charlotte ni tan despojada de sutilezas como las de Emily en Cumbres Borrascosas; aunque ello no quiere decir que sea de menor calidad. La novela está escrita en forma amena y no aburre y aunque es más corta que las otras su argumento es parecido pero distinto al de Jane Eyre (mis disculpas por comparar estos dos libros, pero es que tengo sus lecturas muy frescas en mi cabeza). La historia de Agnes está narrada prácticamente como si fuera un diario y en su corta vida, tan corta como lo fue la de la misma Anne nos relata todo lo sucedido desde la salida de su hogar para ayudar a sus padres luego de un desafortunado evento financiero hasta recalar en las mansiones de dos adineradas familias para las que trabajará como institutriz. Debe sacrificarse para ayudar y está decidida a ello.
Hasta ese momento ha sido una chica simple, de su casa. Gris, como su apellido. Pero las nuevas experiencias, golpes y sufrimientos la foguearán rápidamente en la vida.
En el caso de su estadía en Wellwood como institutriz de los niños Bloomfield (Tom, Mary Ann, Harriet y Fanny) su situación es terrible. Se encuentra rodeada de cuatro niños crueles y despiadados. Verdaderos monstruos de pesadilla a los que no logra doblegar y que además cuentan con la sobreprotección de una madre despótica y un padre frenético que jamás se opondrán a los caprichos de sus hijos. Sumado a esto, los niños poseen una influencia negativa y violenta que proviene de su tío Robson.
Una vez que no puede con su alma para con esta jauría de inadaptados decide volver para probar suerte con otra familia, los Murray, de Horton Lodge y aquí transcurre gran parte de la novela.
En este caso no son niños sino dos muchachas adolescentes, malcriadas y de alta alcurnia, Matilda y Rosalie Murray, que luchan por imponer su apellido en la alta sociedad. Toda la familia Murray es así. Y Agnes es arrastrada a obedecer todo tipo de caprichos. En un momento Agnes lo reconoce luego de conocer a Nancy Brown, una viuda casi ciega, que se transforma en su única compañía y a la que visita para aliviar su soledad: "Mis únicos compañeros habían sido niños desagradables e ignorantes niñas testarudas; y la soledad continuada, que me apartaba de aquella agotadora locura, se había convertido en alivio, en algo que deseaba y valoraba intensamente."
Agnes peca por momentos de ser demasiado permisiva, sumisa y de poco carácter. Es vapuleada por personas de carácter fuerte y agresivo y todo esto va mellando su espíritu. Pero como no todo en estas novelas son espinas, aparecerá un personaje que le dará motivos para sentirse esperanzada: el vicario Edward Weston con lo que su vida tendrá otro aliciente entre tanta abnegación y esfuerzo.
Como comentara previamente, esta novela es mucho más corta que las de sus hermanas y la historia, si bien tiene puntos en común con la de Jane Eyre está muy bien narrada, con personajes a la altura de lo que sucede y un estilo más llano y menos poético que el de Charlotte Brontë pero no por ello menos interesante.
He completado una trilogía de novelas bronteanas y de momento no creo que vaya a leer novelas de estas grandes escritoras de momento.
Puedo aseverar que las hermanas Brontë son un caso único en la literatura y el hecho de que Cumbres Borrascosas, Jane Eyre y Agnes Grey hayan sido publicados en 1847 marca una maravillosa coincidencia literaria.
February 11, 2021
*3.5 stars *
March 18, 2017
Having watched recently the film To Walk Invisible, and having also finished not long ago Wuthering Heights, while I was reading this I could not but imagine the two sisters, Emily and Anne, sitting around the same table, either in the dining room or in the kitchen, each leaning over a very small notebook and writing away their novels in silence. Both sharing and not sharing; keeping each other’s company, but also guarding the privacy of their thoughts and their writing from the other sister.
And I wondered how was it possible that on the same table those two notebooks were filling with such different fiction. How could these two sisters, apparently so similar in character, with the same upbringing and similar experiences, produce such different works. With Emily’s novel made me dread the falling into Hell, while Anne���s account of a governess made me at times wished for a redeeming Hell.
Agnes Grey is a governess to her very core. Not one does she lose her, very proper, identity. Even in moments of weakness, she does not doubt for an instance her exemplary view of the world. For even if she is very convincing in her neutrality and perfection--that stands out against the rest of the, always faulty, characters--, the reader can at times question whether things, or people, are as outlandish as she presents them to be. I acknowledge that I felt at times like sticking my tongue out at Agnes in a purifying act of rebellion.
May be it was the language, always so composed, so correct, so balanced, so measured, so poised, that made me want to scream, or swear, or run away.
There was one moment in which I had some hope. In a scene I felt that finally Agnes could feel some spite. But no, she immediately corrected the suspicion and states that: I derived a secret gratification from the fact, not that she was vexed, but that she thought she had reason to be so. Definitely, no hope, for she continues: It made me think my hopes were not entirely the offspring of my wishes and imagination.
This non-novel, is nonetheless an extraordinary account of what a curious creature of a governess, in mid 19C England, was. While reading it was inevitable not to ponder about the restricted world for women, and how at this time they needed to fit in a necessary but also potentially alarming education. The account is also saturated with comments on social differences, which made me wonder how conscious was Anne Brönte of the political dimension of some of her sentences.
It was disagreeable to walk behind, and thus appear to acknowledge my own inferiority; for, in truth, I considered myself pretty nearly as good as the best of them, and wished them to know that I did so, and not to imagine that I looked upon myself as a mere domestic, who know her own place to walk beside such fine ladies and gentlemen as they were..
And soon onto The Tenant of Wildfell Hall
March 22, 2020
Aside from the fact that Agnes Grey's love interest chides her for being a "perfect bookworm" and says, "Except under particular circumstances, I consider very close and constant study as a waste of time, and an injury to the mind as well as the body," this is a sweet and tender love story.
Read
August 24, 2012My favorite of the Brontes is Anne. This is my favorite of her novels.
In this and Jane Eyre, we have governess-eye views of the gentry. In Jane Eyre, Jane manages to make herself central (her suffering in being a governess); in Agnes Grey, there is a meticulous look at the thin veneer of civilization over the soi-disant gentry who have all the money and manner but utterly no moral center. The examination of this family is one of the most effective pieces of quiet horror in literature, I think, because it resonates as true. Far more effective than Charlotte's madwoman-in-the-attic histrionics. (Though those, too, smack of reality . . . but not a reality known to Charlotte. I blame Byronic fanfiction for that, as well as for Emily's oeuvre, and Anne's own Tenant)
Rereading for a book group: again, it strikes me how very good Anne was at observations of human behavior, though a sense of Anne is difficult to find. Agnes Grey is nearly invisible, quite a contrast to Charlotte's books, which convey a powerful sense of Charlotte front and center. (And Emily was different from both, writing straight from the id vortex)
In this and Jane Eyre, we have governess-eye views of the gentry. In Jane Eyre, Jane manages to make herself central (her suffering in being a governess); in Agnes Grey, there is a meticulous look at the thin veneer of civilization over the soi-disant gentry who have all the money and manner but utterly no moral center. The examination of this family is one of the most effective pieces of quiet horror in literature, I think, because it resonates as true. Far more effective than Charlotte's madwoman-in-the-attic histrionics. (Though those, too, smack of reality . . . but not a reality known to Charlotte. I blame Byronic fanfiction for that, as well as for Emily's oeuvre, and Anne's own Tenant)
Rereading for a book group: again, it strikes me how very good Anne was at observations of human behavior, though a sense of Anne is difficult to find. Agnes Grey is nearly invisible, quite a contrast to Charlotte's books, which convey a powerful sense of Charlotte front and center. (And Emily was different from both, writing straight from the id vortex)
November 14, 2015
4.5 stars
I’ve been conscious for a while of not having read anything by Anne Bronte and decided it was time to remedy that. This is Anne Bronte’s first novel and has the reputation of being not as good as the second; however I certainly felt that it had its strengths. The story is straightforward; Agnes Grey is the daughter of a clergyman whose family finds itself is straightened circumstances. Agnes decides she must contribute to the family finances and takes a post of a governess. There is an account of her time as a governess in two families. The account paints a fairly bleak picture of life as a governess and of the role of women of a certain class. This is certainly based on Anne’s own experience, apart from the romance at the end.
Anne Bronte has always been seen as a lesser writer than her two sisters; this isn’t my impression. Agnes Grey is a strong minded woman, who very much has a sense of independence, “to go out into the world; to act for myself; to exercise my unused faculties; to try my own unknown powers; to earn my own maintenance”. At the end of the novel when she marries Weston the usual Victorian formula would be that he is rescuing her and providing her with hearth and home. The more perceptive reader will realise that he is not rescuing her, but she is rescuing him. Agnes can be very self-effacing at times and her piety I found somewhat irritating, but she is a much stronger character than many Victorian heroines. .
The nature of work that women of Agnes’s type have to do is portrayed as thankless and degrading with cruel employers and children whom are ungovernable and with no respect to someone they treat as a servant. I think Anne’s portrayal of men is very much different to her sisters. There are no smouldering Byronic heroes like Rochester and Heathcliffe. Most of the men are shallow and self-absorbed. Her idea of a leading man is also different; Weston is not heroic or good-looking. He is serious, bookish, kind with obvious faults and vulnerabilities; very unlike the men her sisters created. This makes her books less easy to film; producers like strong male leads!
I was surprised to find that Anne Bronte is much more radical than her sisters. She is concerned about the rights and working conditions of women who work in virtual slavery in domestic service and portrays the upper and moneyed classes who employ them as cruel and unscrupulous. Shades of a socialist and feminist approach to life and no swooning over emotionally stunted heroes. Agnes Grey does not need Weston at the end of the book; she is running a school with her mother and they are independent. It is a positive choice. I would urge those of you who have not read Anne Bronte yet to do so.
I’ve been conscious for a while of not having read anything by Anne Bronte and decided it was time to remedy that. This is Anne Bronte’s first novel and has the reputation of being not as good as the second; however I certainly felt that it had its strengths. The story is straightforward; Agnes Grey is the daughter of a clergyman whose family finds itself is straightened circumstances. Agnes decides she must contribute to the family finances and takes a post of a governess. There is an account of her time as a governess in two families. The account paints a fairly bleak picture of life as a governess and of the role of women of a certain class. This is certainly based on Anne’s own experience, apart from the romance at the end.
Anne Bronte has always been seen as a lesser writer than her two sisters; this isn’t my impression. Agnes Grey is a strong minded woman, who very much has a sense of independence, “to go out into the world; to act for myself; to exercise my unused faculties; to try my own unknown powers; to earn my own maintenance”. At the end of the novel when she marries Weston the usual Victorian formula would be that he is rescuing her and providing her with hearth and home. The more perceptive reader will realise that he is not rescuing her, but she is rescuing him. Agnes can be very self-effacing at times and her piety I found somewhat irritating, but she is a much stronger character than many Victorian heroines. .
The nature of work that women of Agnes’s type have to do is portrayed as thankless and degrading with cruel employers and children whom are ungovernable and with no respect to someone they treat as a servant. I think Anne’s portrayal of men is very much different to her sisters. There are no smouldering Byronic heroes like Rochester and Heathcliffe. Most of the men are shallow and self-absorbed. Her idea of a leading man is also different; Weston is not heroic or good-looking. He is serious, bookish, kind with obvious faults and vulnerabilities; very unlike the men her sisters created. This makes her books less easy to film; producers like strong male leads!
I was surprised to find that Anne Bronte is much more radical than her sisters. She is concerned about the rights and working conditions of women who work in virtual slavery in domestic service and portrays the upper and moneyed classes who employ them as cruel and unscrupulous. Shades of a socialist and feminist approach to life and no swooning over emotionally stunted heroes. Agnes Grey does not need Weston at the end of the book; she is running a school with her mother and they are independent. It is a positive choice. I would urge those of you who have not read Anne Bronte yet to do so.
Read
March 20, 2020Finding myself reading a book about a governess I searched around for comparisons, the only one that came to my mind was Jane Eyre written after Agnes Grey by Anne Brontë's big sister Charlotte.
Charlotte in her tale of a governess adds breath taking, astonishing, Gothic elements - childhood punishments, a madwoman in the attic, a dramatic fire, the anguished cry of a lover heard an unfeasible number of miles away, plus liberal anti-French sentiment and race prejudice, Agnes Grey eschews all that, there is nothing flashy here, it is a carefully observed personal narrative, with a self effacing narrator who dominates the narration - there is no space here to question her observations we are deep inside the world of Agnes Grey, a grey lamb, innocent and doomed to suffer - though her suffering will be not very dramatic - this is above all a restrained novel.
The keenness of the narrator's observation seems generally focussed on her status, she hangs awkwardly above the servants but below the masters, unable to command the former or stand up to the latter, but interesting this weak liminal position as a clergyman's daughter turns out to be a position of strength. She can earn money and is not trapped in the closed system of social status and status anxiety of her social superiors that leads them into unhappy marriages .
The meeting during a rainstorm of Agnes Grey and her love interest the curate Mr Weston in the dwelling of local poor woman Nancy reminded me of the quasi marriage of Dido and Aeneas in a cave during a rainstorm witnessed by a convenient goddess. Pius Aeneas is generally a role model for Agnes - she is determined to earn money as a governess in the first place because of the financial difficulties caused by her Father's speculation. So she sets forth to rescue the family, not from a burning city but from their depleted bank balance. For a hero, the Odyssey can always be the model - hero goes forth, wanders, returns home, but for the heroine, returning home is impossible, instead the Aeneid is the role model for her adventures, she has to leave home and create a new one, generally in conjunction with some local man or other, Charlotte Brontë takes this notion of the destruction of the original home and enforced wanderings further by actually killing off the heroine's parents than Anne does, but the younger sister seems to prefer a more restrained style.
Amusingly although Agnes is to be an educator in this novel, the action suggests that formal education is too late, children in this book model themselves strictly on their near family, just as Agnes will maintain the good habits and moral outlook of her upbringing so too the children she is employed to educate retain the bad habits and attitudes that they have learnt from their parents. This is a novel featuring education which seems ambivalent about the impact of the classroom upon learners, it seems mostly too late to do anything about the children of the rich who are doomed to idleness, animal cruelty, bad marriages and an inability to perceive people of lower social standing as being human, plus ça change.
On which topic I was amused that although in the middle of the novel Agnes has a fairly lengthy digression about beauty and that it is unimportant when we are shown the bad husband Sir Thomas Ashby, we see an ugly man - an ugly character will apparently manifest itself physically, Agnes does not describe herself, but we see her good deeds, even if she does admit to wanting to box the ears of the vicious boy she is meant to be teaching in her first job.
Charlotte in her tale of a governess adds breath taking, astonishing, Gothic elements - childhood punishments, a madwoman in the attic, a dramatic fire, the anguished cry of a lover heard an unfeasible number of miles away, plus liberal anti-French sentiment and race prejudice, Agnes Grey eschews all that, there is nothing flashy here, it is a carefully observed personal narrative, with a self effacing narrator who dominates the narration - there is no space here to question her observations we are deep inside the world of Agnes Grey, a grey lamb, innocent and doomed to suffer - though her suffering will be not very dramatic - this is above all a restrained novel.
The keenness of the narrator's observation seems generally focussed on her status, she hangs awkwardly above the servants but below the masters, unable to command the former or stand up to the latter, but interesting this weak liminal position as a clergyman's daughter turns out to be a position of strength. She can earn money and is not trapped in the closed system of social status and status anxiety of her social superiors that leads them into unhappy marriages .
The meeting during a rainstorm of Agnes Grey and her love interest the curate Mr Weston in the dwelling of local poor woman Nancy reminded me of the quasi marriage of Dido and Aeneas in a cave during a rainstorm witnessed by a convenient goddess. Pius Aeneas is generally a role model for Agnes - she is determined to earn money as a governess in the first place because of the financial difficulties caused by her Father's speculation. So she sets forth to rescue the family, not from a burning city but from their depleted bank balance. For a hero, the Odyssey can always be the model - hero goes forth, wanders, returns home, but for the heroine, returning home is impossible, instead the Aeneid is the role model for her adventures, she has to leave home and create a new one, generally in conjunction with some local man or other, Charlotte Brontë takes this notion of the destruction of the original home and enforced wanderings further by actually killing off the heroine's parents than Anne does, but the younger sister seems to prefer a more restrained style.
Amusingly although Agnes is to be an educator in this novel, the action suggests that formal education is too late, children in this book model themselves strictly on their near family, just as Agnes will maintain the good habits and moral outlook of her upbringing so too the children she is employed to educate retain the bad habits and attitudes that they have learnt from their parents. This is a novel featuring education which seems ambivalent about the impact of the classroom upon learners, it seems mostly too late to do anything about the children of the rich who are doomed to idleness, animal cruelty, bad marriages and an inability to perceive people of lower social standing as being human, plus ça change.
On which topic I was amused that although in the middle of the novel Agnes has a fairly lengthy digression about beauty and that it is unimportant when we are shown the bad husband Sir Thomas Ashby, we see an ugly man - an ugly character will apparently manifest itself physically, Agnes does not describe herself, but we see her good deeds, even if she does admit to wanting to box the ears of the vicious boy she is meant to be teaching in her first job.
October 23, 2019
Agnes is in desperate need of a visit from Nanny McPhee and I am in desperate need of a Mr Weston.
Utterly charming. Anne’s sharp sardonic wit and waspish humour is so compelling. Agnes Grey perfectly encapsulates the horror of a first job - or my first job, anyway. In theory, this could be satire... were it not for the very real situations Anne depicts. This is ruthless realism; her exposé was an explosive truth that no one wanted to tell - or hear.
“Agnes Grey is a sort of younger sister to Jane Eyre; but inferior in every way” said one reviewer, crushingly. I need to rectify this: what very few people know is that Anne had covered the whole governessing, female self-determination thing way before Charlotte. Agnes Grey had been accepted for publication before Jane Eyre was even completed - Charlotte was still toiling away with her Charlotte/Monsieur Heger fanfiction that no one wanted to publish, AKA: The Professor. And yet Jane Eyre is remembered as the governess novel. Why? The simple reason is that Jane Eyre beat Agnes Grey to the press.
The Brontë sisters sent their three respective debuts to publishers all in the same bundle, receiving rejection after rejection until one fateful day, both Agnes Grey and Wuthering Heights were accepted by Thomas Cautley Newby - The Professor, however, was sent straight back. What should of been a triumph for Anne turned out to be less than perfect. The thing was, Newby was a bit of a chancer. He liked to procrastinate. During the lengthy wait for the dynamic duo to appear on the shelves, Charlotte had produced Jane Eyre, a novel whose core elements must have seemed very familiar to Anne; a plain, governess heroine, the daughter of a poor clergyman, finds love on her own terms - all communicated through an immediate and self conscious first person narrative. Hmm.
Oh, Charlotte. How could you?
Regardless of the fact Charlotte had none too subtly used Anne’s work as a template, Jane Eyre was promptly accepted by a different publisher, Smith, Elder & Co. It was out within a month and met with immediate success. By this time, Newby was still dragging his heels, but when news reached him of Currer Bell’s (Charlotte’s) success, he recognised that he had in his possession two novels by the esteemed author’s brothers, Ellis and Acton - there was some serious money to be made. Finally the books were out - just five months late. Now Anne looked the imitator when she was in fact the pioneer.
Of course, Jane Eyre was a highly romanticised and skewed interpretation of the precarious position of governess (although I do love it, regardless). Agnes Grey is highly autobiographical; sixty instances alone have been identified as being directly drawn from Anne’s own six years experience of the profession. She refused to wear rose-tinted glasses - being the social firebrand that she was, her purpose was reform. Agnes Grey is a deliberate attack of the disparity between the education of boys and girls and its consequences. Girls weren’t prepared for life, nor warned about the dangers of bad men. Even within these 200ish pages, Anne was already hinting at deeply controversial topics like marital abuse that she would later develop into her darker work, The Tenant of Wildfell Hall (highly recommend, absolute masterpiece - see my thoughts here ).
Critics however neglected to acknowledge her astute political engagement, asserting that her depiction of corrupt upper class morals and violent, beastly children was simply too monstrous to be true. Instead, they favoured Charlotte’s depiction: more Charlotte/Monsieur Heger fanfiction... but a slightly more coded version.
Which is ridiculous - Charlotte hated governessing and couldn’t manage it for more than eight months; Anne was the one who bit the bullet and endured. (Anne was the only of the four Brontës who managed to pin down a job, period.) On one occasion, the children Charlotte tutored even threw a rock at her which cut her badly on the forehead. She knew the crap governesses had to put up with: humiliation, oppression, isolation, bratty children and disrespectful employers. And yet she blesses Jane with one obedient pupil and a brooding, darkly romantic boss who treats her as an equal. I told you it was fanfiction.
Don’t get me wrong, Agnes Grey is pretty brutal in places, but it’s a novel that makes me feel warm and fuzzy. Why? Two words: Mr Weston. Good old Anne, she gave her heroine a man who is treats women well, who loves and respects her, something that put Anne at odds with her sisters who liked their malevolent Byronic heroes. Mr Weston is a babe and Agnes is at her most endearing when she’s falling for him. He’s full of common sense and genuine affection... and he likes cats. (He even saves a cat at one point, a plot device that is so reliable at making a character likeable, there’s even a book about it: Save the Cat!: The Last Book on Screenwriting You'll Ever Need.) Agnes Grey has a healthy and wholesome romance between two decent people who love, respect and cherish each other.
Need I say more?!!
An exceptionally underrated book - and I don’t think the copious editions with grotesque covers really do it any favours, either. A historically fascinating novel that already hints at some of those radical views Anne was brewing up ready for The Tenant of Wildfell Hall, views that were years before her time - but a beautiful, beautiful story and a thoroughly moving romance besides.
Utterly charming. Anne’s sharp sardonic wit and waspish humour is so compelling. Agnes Grey perfectly encapsulates the horror of a first job - or my first job, anyway. In theory, this could be satire... were it not for the very real situations Anne depicts. This is ruthless realism; her exposé was an explosive truth that no one wanted to tell - or hear.
“Agnes Grey is a sort of younger sister to Jane Eyre; but inferior in every way” said one reviewer, crushingly. I need to rectify this: what very few people know is that Anne had covered the whole governessing, female self-determination thing way before Charlotte. Agnes Grey had been accepted for publication before Jane Eyre was even completed - Charlotte was still toiling away with her Charlotte/Monsieur Heger fanfiction that no one wanted to publish, AKA: The Professor. And yet Jane Eyre is remembered as the governess novel. Why? The simple reason is that Jane Eyre beat Agnes Grey to the press.
The Brontë sisters sent their three respective debuts to publishers all in the same bundle, receiving rejection after rejection until one fateful day, both Agnes Grey and Wuthering Heights were accepted by Thomas Cautley Newby - The Professor, however, was sent straight back. What should of been a triumph for Anne turned out to be less than perfect. The thing was, Newby was a bit of a chancer. He liked to procrastinate. During the lengthy wait for the dynamic duo to appear on the shelves, Charlotte had produced Jane Eyre, a novel whose core elements must have seemed very familiar to Anne; a plain, governess heroine, the daughter of a poor clergyman, finds love on her own terms - all communicated through an immediate and self conscious first person narrative. Hmm.
Oh, Charlotte. How could you?
Regardless of the fact Charlotte had none too subtly used Anne’s work as a template, Jane Eyre was promptly accepted by a different publisher, Smith, Elder & Co. It was out within a month and met with immediate success. By this time, Newby was still dragging his heels, but when news reached him of Currer Bell’s (Charlotte’s) success, he recognised that he had in his possession two novels by the esteemed author’s brothers, Ellis and Acton - there was some serious money to be made. Finally the books were out - just five months late. Now Anne looked the imitator when she was in fact the pioneer.
Of course, Jane Eyre was a highly romanticised and skewed interpretation of the precarious position of governess (although I do love it, regardless). Agnes Grey is highly autobiographical; sixty instances alone have been identified as being directly drawn from Anne’s own six years experience of the profession. She refused to wear rose-tinted glasses - being the social firebrand that she was, her purpose was reform. Agnes Grey is a deliberate attack of the disparity between the education of boys and girls and its consequences. Girls weren’t prepared for life, nor warned about the dangers of bad men. Even within these 200ish pages, Anne was already hinting at deeply controversial topics like marital abuse that she would later develop into her darker work, The Tenant of Wildfell Hall (highly recommend, absolute masterpiece - see my thoughts here ).
Critics however neglected to acknowledge her astute political engagement, asserting that her depiction of corrupt upper class morals and violent, beastly children was simply too monstrous to be true. Instead, they favoured Charlotte’s depiction: more Charlotte/Monsieur Heger fanfiction... but a slightly more coded version.
Which is ridiculous - Charlotte hated governessing and couldn’t manage it for more than eight months; Anne was the one who bit the bullet and endured. (Anne was the only of the four Brontës who managed to pin down a job, period.) On one occasion, the children Charlotte tutored even threw a rock at her which cut her badly on the forehead. She knew the crap governesses had to put up with: humiliation, oppression, isolation, bratty children and disrespectful employers. And yet she blesses Jane with one obedient pupil and a brooding, darkly romantic boss who treats her as an equal. I told you it was fanfiction.
Don’t get me wrong, Agnes Grey is pretty brutal in places, but it’s a novel that makes me feel warm and fuzzy. Why? Two words: Mr Weston. Good old Anne, she gave her heroine a man who is treats women well, who loves and respects her, something that put Anne at odds with her sisters who liked their malevolent Byronic heroes. Mr Weston is a babe and Agnes is at her most endearing when she’s falling for him. He’s full of common sense and genuine affection... and he likes cats. (He even saves a cat at one point, a plot device that is so reliable at making a character likeable, there’s even a book about it: Save the Cat!: The Last Book on Screenwriting You'll Ever Need.) Agnes Grey has a healthy and wholesome romance between two decent people who love, respect and cherish each other.
Need I say more?!!
An exceptionally underrated book - and I don’t think the copious editions with grotesque covers really do it any favours, either. A historically fascinating novel that already hints at some of those radical views Anne was brewing up ready for The Tenant of Wildfell Hall, views that were years before her time - but a beautiful, beautiful story and a thoroughly moving romance besides.
April 19, 2021
Anne Brontë is without doubt my favorite of the three Brontë sisters.
Agnes is the narrator and central protagonist of this story. She is the younger of two daughters in a loving family. Her father, a parson, has lost family savings through unwise speculation. He is by nature too trusting, too believing in the goodness of man. His wife and daughters continue to love and support him.
Agnes, determined to never become a burden to her family, looks for a position as a governess.
So why do I like this novel as much as I do? The prose, the character portrayal and how the love story is drawn.
I knew half-way through I could not give the book a rating less than three stars. At this point I was unsure of how the plot-line would be handled but felt that the writing was superb.
The writing is articulate and succinct. Sentiments and thoughts are extremely well expressed. There is a fluidity in the prose that fits each situation--varying from lyrical description of landscapes, to thoughtful, philosophical reasoning, to perceptive descriptions of feelings and finally realistic dialogs. Conversations mirror each character’s personality. In my view the book is worth reading for the prose alone.
There is a love thread, but it Is not allowed to strangle the novel. It never descends into drippy romanticism.
Th characters are each who they are. I love Agnes’ dignity. She is neither proud nor self-demeaning. The coquetry and flirtatious behavior of another character is equally well drawn. This is a novel of its time. I value and applaud the author’s ability to draw different types of women.
I like that the author promotes the strength and dignity of women while at the same time stressing the importance of love as the basis for a good marriage.
Anne Brontë’s writing is realistic.
Emilia Fox narrates the audiobook. The narration performance is fine. I have given it three stars. Although she speaks quickly, every word can easily be heard. It flows well. I dislike that some of the male characters are distinguished as being powerful and in charge through yelling. Here the volume is increased to an unpleasant level.
**********************
Charlotte Brontë: A Fiery Heart by Claire Harman 3 stars
Jane Eyre by Charlotte Brontë 2 stars
The Tenant of Wildfell Hall by Anne Brontë 4 stars
Agnes Grey by Anne Brontë 4 stars
Agnes is the narrator and central protagonist of this story. She is the younger of two daughters in a loving family. Her father, a parson, has lost family savings through unwise speculation. He is by nature too trusting, too believing in the goodness of man. His wife and daughters continue to love and support him.
Agnes, determined to never become a burden to her family, looks for a position as a governess.
So why do I like this novel as much as I do? The prose, the character portrayal and how the love story is drawn.
I knew half-way through I could not give the book a rating less than three stars. At this point I was unsure of how the plot-line would be handled but felt that the writing was superb.
The writing is articulate and succinct. Sentiments and thoughts are extremely well expressed. There is a fluidity in the prose that fits each situation--varying from lyrical description of landscapes, to thoughtful, philosophical reasoning, to perceptive descriptions of feelings and finally realistic dialogs. Conversations mirror each character’s personality. In my view the book is worth reading for the prose alone.
There is a love thread, but it Is not allowed to strangle the novel. It never descends into drippy romanticism.
Th characters are each who they are. I love Agnes’ dignity. She is neither proud nor self-demeaning. The coquetry and flirtatious behavior of another character is equally well drawn. This is a novel of its time. I value and applaud the author’s ability to draw different types of women.
I like that the author promotes the strength and dignity of women while at the same time stressing the importance of love as the basis for a good marriage.
Anne Brontë’s writing is realistic.
Emilia Fox narrates the audiobook. The narration performance is fine. I have given it three stars. Although she speaks quickly, every word can easily be heard. It flows well. I dislike that some of the male characters are distinguished as being powerful and in charge through yelling. Here the volume is increased to an unpleasant level.
**********************
Charlotte Brontë: A Fiery Heart by Claire Harman 3 stars
Jane Eyre by Charlotte Brontë 2 stars
The Tenant of Wildfell Hall by Anne Brontë 4 stars
Agnes Grey by Anne Brontë 4 stars
November 23, 2020
"Me preguntaba por qué se daba tanta belleza a las que tan mal la utilizaban, y se les negaba a algunas que la convertirían en un beneficio para sí mismas y los demás. Pero Dios es sabio, concluí. Supongo que hay hombres tan vanidosos, egoístas y crueles como ella, y puede que estas mujeres sirvan para castigarlos"
Me ha terminado de gustar si bien el inicio fue un poco desalentador, sin embargo, creo que "La inquilina..." me gusta un poco más, aunque los personajes de ésta son más insoportables que los de "Agnes Grey".
La novela que es relativamente más corta que las demás de las hermanas, empieza con la narración de la personaje principal, en primera persona, Agnes Grey (llamada muchas veces solo Miss Grey), quien tiene a su padre el Sr. Richard Grey (clérigo respetado aunque retirado), su madre y su hermana Mary. Desde el inicio se resalta la austeridad en la que han vivido y cómo están siempre en zozobra económica por lo que un buen día Agnes decide ir a tentar fortuna como institutriz en alguna casa. Parece que Agnes no está en buena condición para hacerlo pero gracias a su gran tesón logra que se le dé la oportunidad. La obra tiene desde luego marcados pasajes autobiográficos.
La primera experiencia se da en la casa de los Bloomfield con sus hijos Tom, Mary Ann y Fanny. Aquí es donde tenemos una gran descripción del carácter de los niños y sus constantes vicios y hace pensar en que el libro más bien debería llamarse "quejas de una institutriz" pues todo el tiempo se ve los defectos que realza la narradora tanto de los niños como de los adultos e incluso los criados, gente realmente perversa todos. Leyéndolo incluso creo se puede deducir un poco de parcialidad de la narradora y de la propia autora, si bien es cierto que logra pintar de una manera bastante creíble y no dudo que lo haya sido en vida en parte las malas maneras de algunos niños de la época. El comportamiento de ellos lamentablemente afecta también a la propia Agnes quien sufre por todos lados vejaciones y desilusiones:
"Puesto que no podía cambiar a mis jóvenes compañeros, tenía mucho miedo de que ellos me empeorasen a mí, que gradualmente me bajasen los sentimientos, las costumbres y las capacidades a su mismo nivel, pero sin impartirme a mí su despreocupación y alegre vivacidad. Ya me parecía notar que se me deterioraba el intelecto, se me petrificaba el corazón, se me encogía el alma y temblaba por si incluso se amortiguaban mis percepciones morales, se confundían mis distinciones entre el bien y el mal y se hundían mis mejores cualidades bajo la influencia de una forma de vida tan malsana"
Es en la segunda experiencia donde las cosas se ponen más interesantes a mi parecer, aunque la desesperanza, característica tan marcada por lo menos de Charlotte y Anne, está siempre presente en el libro como para no olvidar lo trágico de la vida. Allí, Agnes, vuelve a la carga de ser institutriz esta vez en casa de los Murray (Horton Lodge) con los hijos: John, Charles, Matilda y Rosalie Murray. Allí podemos ver el carácter muy bien pintado sobre todo de Matilda quien tiene maneras muy vulgares y lengua de cochero y por otra parte Rosalie cuyo crecimiento en sociedad es narrado por Agnes, quien como su institutriz trata de inculcar buenos valores y sobre todo disminuir algo el exceso de vanidad y coquetería que se va apoderando de la muy hermosa joven.
En el nuevo lugar no faltan los "galanes religiosos" tan típico de las hermanas, en este caso en la comarca también están los señores sir Thomas Ashby, Meltham, Green y Hatfield. Luego se sumará el Sr. Weston, también religioso. Toda la malicia y vanidad de Rosalie es abordada por una incrédula al inicio Agnes quien parece siempre despreciar a su pupila, aunque a veces siente algo de cariño.
"¡El amor! ¡Detesto la palabra! Tal como se aplica a una de nuestro sexo, ¡creo que es un perfecto insulto!"
Me hizo recordar la novela bastante a "Jane Eyre" también hay ratos de desesperanza e ilusión, siempre presente, esto de hecho le da una buena continuidad y emoción a la obra, casi desde las 2/3 partes iniciales pues antes me había aburrido un poco. El tema de la soledad, el aislamiento social, la pesadumbre de la rutina, y una gran importancia a la belleza que siempre está mencionada en las obras de las hermanas Bronte están muy bien descritos. Hay también bastante de moral y religiosidad, en parte por la educación de las hermanas y en parte eso le gustó bastante a la crítica pues en aquella época era algo primordial que las novelas debían cumplir. En resumen un muy buen ejemplo de lo que se puede esperar leyendo a las hermanas Bronte. Terminó por gustarme.
"Los que poseen belleza, que estén agradecidos y la utilicen bien, como cualquier otro don; los que no, que se consuelen y se las arreglen lo mejor que puedan sin ella; desde luego, aunque se le suele sobrestimar, es un don de Dios y no debe despreciarse"
Me ha terminado de gustar si bien el inicio fue un poco desalentador, sin embargo, creo que "La inquilina..." me gusta un poco más, aunque los personajes de ésta son más insoportables que los de "Agnes Grey".
La novela que es relativamente más corta que las demás de las hermanas, empieza con la narración de la personaje principal, en primera persona, Agnes Grey (llamada muchas veces solo Miss Grey), quien tiene a su padre el Sr. Richard Grey (clérigo respetado aunque retirado), su madre y su hermana Mary. Desde el inicio se resalta la austeridad en la que han vivido y cómo están siempre en zozobra económica por lo que un buen día Agnes decide ir a tentar fortuna como institutriz en alguna casa. Parece que Agnes no está en buena condición para hacerlo pero gracias a su gran tesón logra que se le dé la oportunidad. La obra tiene desde luego marcados pasajes autobiográficos.
La primera experiencia se da en la casa de los Bloomfield con sus hijos Tom, Mary Ann y Fanny. Aquí es donde tenemos una gran descripción del carácter de los niños y sus constantes vicios y hace pensar en que el libro más bien debería llamarse "quejas de una institutriz" pues todo el tiempo se ve los defectos que realza la narradora tanto de los niños como de los adultos e incluso los criados, gente realmente perversa todos. Leyéndolo incluso creo se puede deducir un poco de parcialidad de la narradora y de la propia autora, si bien es cierto que logra pintar de una manera bastante creíble y no dudo que lo haya sido en vida en parte las malas maneras de algunos niños de la época. El comportamiento de ellos lamentablemente afecta también a la propia Agnes quien sufre por todos lados vejaciones y desilusiones:
"Puesto que no podía cambiar a mis jóvenes compañeros, tenía mucho miedo de que ellos me empeorasen a mí, que gradualmente me bajasen los sentimientos, las costumbres y las capacidades a su mismo nivel, pero sin impartirme a mí su despreocupación y alegre vivacidad. Ya me parecía notar que se me deterioraba el intelecto, se me petrificaba el corazón, se me encogía el alma y temblaba por si incluso se amortiguaban mis percepciones morales, se confundían mis distinciones entre el bien y el mal y se hundían mis mejores cualidades bajo la influencia de una forma de vida tan malsana"
Es en la segunda experiencia donde las cosas se ponen más interesantes a mi parecer, aunque la desesperanza, característica tan marcada por lo menos de Charlotte y Anne, está siempre presente en el libro como para no olvidar lo trágico de la vida. Allí, Agnes, vuelve a la carga de ser institutriz esta vez en casa de los Murray (Horton Lodge) con los hijos: John, Charles, Matilda y Rosalie Murray. Allí podemos ver el carácter muy bien pintado sobre todo de Matilda quien tiene maneras muy vulgares y lengua de cochero y por otra parte Rosalie cuyo crecimiento en sociedad es narrado por Agnes, quien como su institutriz trata de inculcar buenos valores y sobre todo disminuir algo el exceso de vanidad y coquetería que se va apoderando de la muy hermosa joven.
En el nuevo lugar no faltan los "galanes religiosos" tan típico de las hermanas, en este caso en la comarca también están los señores sir Thomas Ashby, Meltham, Green y Hatfield. Luego se sumará el Sr. Weston, también religioso. Toda la malicia y vanidad de Rosalie es abordada por una incrédula al inicio Agnes quien parece siempre despreciar a su pupila, aunque a veces siente algo de cariño.
"¡El amor! ¡Detesto la palabra! Tal como se aplica a una de nuestro sexo, ¡creo que es un perfecto insulto!"
Me hizo recordar la novela bastante a "Jane Eyre" también hay ratos de desesperanza e ilusión, siempre presente, esto de hecho le da una buena continuidad y emoción a la obra, casi desde las 2/3 partes iniciales pues antes me había aburrido un poco. El tema de la soledad, el aislamiento social, la pesadumbre de la rutina, y una gran importancia a la belleza que siempre está mencionada en las obras de las hermanas Bronte están muy bien descritos. Hay también bastante de moral y religiosidad, en parte por la educación de las hermanas y en parte eso le gustó bastante a la crítica pues en aquella época era algo primordial que las novelas debían cumplir. En resumen un muy buen ejemplo de lo que se puede esperar leyendo a las hermanas Bronte. Terminó por gustarme.
"Los que poseen belleza, que estén agradecidos y la utilicen bien, como cualquier otro don; los que no, que se consuelen y se las arreglen lo mejor que puedan sin ella; desde luego, aunque se le suele sobrestimar, es un don de Dios y no debe despreciarse"
October 3, 2023
You know when you read a Bronte novel, you can't help but imagine the three sisters, sitting there at the dinning room of their father's parsonage, exchanging ideas and reading passages of what they 've been writing to each other. After reading "Agnes Grey" i have a clearer picture of their characters. Their books, are there to point out the way they thought and felt. What i conclude about them is that the strongest and wildest imagination belongs to Emily, the most passionate, strong and full of emotion to Charlotte and a calm, virtuous and sweet to Anne.
Now, i've discussed about Emily and Charlotte plenty of times and now it's Anne's turn. When you read a book about a governess by Anne Bronte, you can't help but compare her story to that of another governess, you've known for your whole life, Charlotte's "Jane Eyre". Agnes and Jane are both calm, plain, not so beautiful in appearance and have a very low self-esteem. However, the comparison ends there. Jane has ambition and a low-burning fire within her, while Agnes is nothing of the sort, she is calm patient, modest, believe in God with all her heart and soul. To cut a long story short, i loved her! She has no arrogance, speaks only of virtuous matters and follow a quiet life.
She falls in love but not like Emily's Cathy, in a selfish, arrogant way or even as passionately and absolutely as Charlotte's, Jane. Her love for the curate of the parrish, mr Weston is calm and sweet, with no wild passion but with true and honest love. No wonder, she was never considered an equivalent of her sisters in matters of writing. We always talk about Charlotte and Emily and rarely about Anne, maybe because the reader is thirsty for a strong and passionate heroine or hero. A hero with flaws as well as passion and wild love. Some readers keep ignoring her, just because her voice is not as strong as that of her sisters'. Only recently, people begin to appreciate Anne because her books have finally touched a readers heart. Personally, i loved both of her novels and having just finished, Agnes Grey, i can hear, Anne's inner voice. Agnes is Anne. She describes how her heroine felt, how she was ill-treated by the wealthy families she served as a governess. It almost feels like, she doesn't hide anything of herself, it's how she herself, thought and acted, how she was able to love in that pure kind of way.
When you reach, the last pages of Agnes Grey, you can't help but feel sadness, not for, Agnes, who finally finds happiness but for Anne because you get a glimpse of what she dreamt of. She desired this quiet life, married perhaps, to a clergyman, just like her father was and having a kind husband and kids whom she would love and dedicate her life to make them happy but eventually never saw her dream come true. A dream of pure happiness was never fullfilled, except a tragedy that stroke her so hard at only 29 years of age. Pity, that this pure soul left this life so young.
All Bronte sisters, had tragic lives . Just imagine them living a little longer than they did, what other masterpieces we would be left with. I always felt fascinated about their individuals. They are so higher and noble spirits, that i think they still wander the earth and "haunt" the moors of Haworh!
4 bright stars for Anne from me
Now, i've discussed about Emily and Charlotte plenty of times and now it's Anne's turn. When you read a book about a governess by Anne Bronte, you can't help but compare her story to that of another governess, you've known for your whole life, Charlotte's "Jane Eyre". Agnes and Jane are both calm, plain, not so beautiful in appearance and have a very low self-esteem. However, the comparison ends there. Jane has ambition and a low-burning fire within her, while Agnes is nothing of the sort, she is calm patient, modest, believe in God with all her heart and soul. To cut a long story short, i loved her! She has no arrogance, speaks only of virtuous matters and follow a quiet life.
She falls in love but not like Emily's Cathy, in a selfish, arrogant way or even as passionately and absolutely as Charlotte's, Jane. Her love for the curate of the parrish, mr Weston is calm and sweet, with no wild passion but with true and honest love. No wonder, she was never considered an equivalent of her sisters in matters of writing. We always talk about Charlotte and Emily and rarely about Anne, maybe because the reader is thirsty for a strong and passionate heroine or hero. A hero with flaws as well as passion and wild love. Some readers keep ignoring her, just because her voice is not as strong as that of her sisters'. Only recently, people begin to appreciate Anne because her books have finally touched a readers heart. Personally, i loved both of her novels and having just finished, Agnes Grey, i can hear, Anne's inner voice. Agnes is Anne. She describes how her heroine felt, how she was ill-treated by the wealthy families she served as a governess. It almost feels like, she doesn't hide anything of herself, it's how she herself, thought and acted, how she was able to love in that pure kind of way.
When you reach, the last pages of Agnes Grey, you can't help but feel sadness, not for, Agnes, who finally finds happiness but for Anne because you get a glimpse of what she dreamt of. She desired this quiet life, married perhaps, to a clergyman, just like her father was and having a kind husband and kids whom she would love and dedicate her life to make them happy but eventually never saw her dream come true. A dream of pure happiness was never fullfilled, except a tragedy that stroke her so hard at only 29 years of age. Pity, that this pure soul left this life so young.
All Bronte sisters, had tragic lives . Just imagine them living a little longer than they did, what other masterpieces we would be left with. I always felt fascinated about their individuals. They are so higher and noble spirits, that i think they still wander the earth and "haunt" the moors of Haworh!
4 bright stars for Anne from me
August 26, 2016
Firstly, let’s diagnose this phenomenon. I first encountered Brontëism—definable as a slavish devotion to every word the sisters put to parchment—at university. I encountered the syndrome in American students who had spent their teens reading comedies of manners and upmarket romance novels and found in the Brontës a vicarious way to eke out their own desires for windswept romances in huge drawing rooms. Then I met British students whose puppy love for Wuthering Heights or Jane Eyre made me upchuck several weeks’ worth of pasta. So I cynically diagnosed the Brontë books as über-romance novels female readers held up as examples of the best sort of love possible in life—the love they would have if they could engineer their environment, to which all romantic relationships should aspire. Or versions of those moral-dilemma novels so popular at bookclubs and airports. It frustrated me. It was like having a particular area of literary history cordoned off to me. That I did not like.
Only problem was, I wouldn’t read the books. Now, however, I am reading the books. So this series of reviews is my attempt to understand the phenomenon of the Brontës so I can legitimately express discontent at their contemporary omnipresence, or proclaim my undying love too.
This novel is the first one by “the quiet one” Anne Brontë and describes her experiences as a governess in the homes of several brats. The first preconception smashed is that all Brontë novels are concerned with aristocratic characters: in this novel Agnes is from a lower middle-class family and volunteers to teach rich brats to help pay off her father’s debts. The chapters read like a handbook for being a patient and docile governess who has God on her side, with occasional turns of mannered humour and moments of affecting melodrama. The short chapters make the frequently dreary moments of micro-attention-to-detail regarding modes of deportment and social graces (that bog down so many novels of this period), more bearable. All in all, mildly entertaining. A lesser work from the lesser sister necessary for my experiment. More soon.
N.B. The comments below refer to a review I wiped.
N.N.B. Ever noticed the first initials of the sisters in alphabetical order spells A-C-E? Subliminal tactic?
Only problem was, I wouldn’t read the books. Now, however, I am reading the books. So this series of reviews is my attempt to understand the phenomenon of the Brontës so I can legitimately express discontent at their contemporary omnipresence, or proclaim my undying love too.
This novel is the first one by “the quiet one” Anne Brontë and describes her experiences as a governess in the homes of several brats. The first preconception smashed is that all Brontë novels are concerned with aristocratic characters: in this novel Agnes is from a lower middle-class family and volunteers to teach rich brats to help pay off her father’s debts. The chapters read like a handbook for being a patient and docile governess who has God on her side, with occasional turns of mannered humour and moments of affecting melodrama. The short chapters make the frequently dreary moments of micro-attention-to-detail regarding modes of deportment and social graces (that bog down so many novels of this period), more bearable. All in all, mildly entertaining. A lesser work from the lesser sister necessary for my experiment. More soon.
N.B. The comments below refer to a review I wiped.
N.N.B. Ever noticed the first initials of the sisters in alphabetical order spells A-C-E? Subliminal tactic?
December 19, 2021
"If happiness in this world is not for me, I will endeavour to promote the welfare of those around me, and my reward shall be hereafter.”
Agnes Grey has been an enjoyable and compelling reading, even more than I could have expected. I just remember I read it all in one sitting, from 11 PM to 5 AM or so, and not being able to stop since I was really interested in the story and its characters.
I could tell this novel is basically the story of how a governess had to deal with her job —from dawn to dusk—, while she was trying to have a meaningful and peaceful life, in the middle of the nineteenth century. Agnes decides to become a governess in order to help her family with her own maintenance, and show them that she is able to do so – this decision will take her to live with two families at which she will become the governess of their children, and where she'll have to face a tough, sometimes cruel world, during her stay in those houses. Topics such as family, friendship, love, and personal growth take place into the novel.
It's clear that Anne Brontë portrayed her own experience as a governess in this book, and even some facts of her own life, for instance, the fact that her father was a clergyman and Agnes' father too; both Anne and Agnes lost some of their siblings, both of them grew up in similar places, and so on. So, I felt this novel quite realistic and personal, as though the author had written a memoir rather than a fiction book – of course, I loved these similitudes very much.
Speaking of my own experience with the Brontës, I'm quite sure this novel is currently my second favorite, just after Jane Eyre; besides, there's no doubt that Anne Brontë has an impressive writing style and is absolutely a great storyteller. For the record, I was attempting to read this book since I read Wuthering Heights last year, but at least in Mexico, it's not that easy to find a physical copy either in Spanish or in English, perhaps due to Anne Brontë is considered the least famous author among the three sisters (?). Eventually, I decided to pick a digital copy, and furthermore, give it a try in its original language – believe me, it has been worth the wait.
All in all, we have a wonderful story, an unforgettable protagonist, and an extraordinary reading experience; could we ask for anything else?
By the way, and for people who have actually read the book, does anyone think that Tom Bloomfield will become a serial killer or something like that when he grows up? That kid just gave me the creeps!
Agnes Grey has been an enjoyable and compelling reading, even more than I could have expected. I just remember I read it all in one sitting, from 11 PM to 5 AM or so, and not being able to stop since I was really interested in the story and its characters.
I could tell this novel is basically the story of how a governess had to deal with her job —from dawn to dusk—, while she was trying to have a meaningful and peaceful life, in the middle of the nineteenth century. Agnes decides to become a governess in order to help her family with her own maintenance, and show them that she is able to do so – this decision will take her to live with two families at which she will become the governess of their children, and where she'll have to face a tough, sometimes cruel world, during her stay in those houses. Topics such as family, friendship, love, and personal growth take place into the novel.
It's clear that Anne Brontë portrayed her own experience as a governess in this book, and even some facts of her own life, for instance, the fact that her father was a clergyman and Agnes' father too; both Anne and Agnes lost some of their siblings, both of them grew up in similar places, and so on. So, I felt this novel quite realistic and personal, as though the author had written a memoir rather than a fiction book – of course, I loved these similitudes very much.
Speaking of my own experience with the Brontës, I'm quite sure this novel is currently my second favorite, just after Jane Eyre; besides, there's no doubt that Anne Brontë has an impressive writing style and is absolutely a great storyteller. For the record, I was attempting to read this book since I read Wuthering Heights last year, but at least in Mexico, it's not that easy to find a physical copy either in Spanish or in English, perhaps due to Anne Brontë is considered the least famous author among the three sisters (?). Eventually, I decided to pick a digital copy, and furthermore, give it a try in its original language – believe me, it has been worth the wait.
All in all, we have a wonderful story, an unforgettable protagonist, and an extraordinary reading experience; could we ask for anything else?
By the way, and for people who have actually read the book, does anyone think that Tom Bloomfield will become a serial killer or something like that when he grows up? That kid just gave me the creeps!
April 2, 2022
Upon reread: still as charming and delightful!
"Refreshed, delighted, invigorated, I walked along, forgetting all my cares, feeling as if I had wings to my feet, and could go at least forty miles without fatigue, and experiencing a sense of exhilaration to which I had been an entire stranger since the days of early youth."
This was the first time I've ever read anything by Anne Bronte, and wow was I pleased! Agnes is a delightful character who captured my heart from the start. Born into a lovely, happy family, they lived in a complicated economical situation after losing their fortune, and Agnes wanted to do anything she could to help them.
After becoming a governess, she's faced with a very different reality than hers. Both families that took her in saw Agnes as an inferior being, and were extremely oppressive, thus representing a challenge to do what's apparently impossible - to try and educate spoilt, vain, rude children. This turned out to be even more difficult because of Agnes's position as an educated, working woman who had to support herself, since this represented a huge contrast to these families' moral values, if you can call them that, based on wealth, social status and class-consciousness.
Anne Bronte often asks us, readers, to reflect on what defined this society, its gender roles and class disparity, always with an extremely gentle, calm, elegant tone, that doesn't shy away from also being passionate and charming in its own way.
Rather than having a lot of angst or tragedy, it's an invitation to go on a personal journey with this humble, kind, insecure but strong and brave person who, eventually, finds the perfect balance between her two worlds - the one she's always known, and the one she cannot wait to unravel.
It's also worth noting that the idea some of these people have of love and care is hilarious, and Agnes's (Anne's?) observations about that really made me laugh!
Cannot wait to read The Tenant of Wildfell Hall now!
"Refreshed, delighted, invigorated, I walked along, forgetting all my cares, feeling as if I had wings to my feet, and could go at least forty miles without fatigue, and experiencing a sense of exhilaration to which I had been an entire stranger since the days of early youth."
This was the first time I've ever read anything by Anne Bronte, and wow was I pleased! Agnes is a delightful character who captured my heart from the start. Born into a lovely, happy family, they lived in a complicated economical situation after losing their fortune, and Agnes wanted to do anything she could to help them.
After becoming a governess, she's faced with a very different reality than hers. Both families that took her in saw Agnes as an inferior being, and were extremely oppressive, thus representing a challenge to do what's apparently impossible - to try and educate spoilt, vain, rude children. This turned out to be even more difficult because of Agnes's position as an educated, working woman who had to support herself, since this represented a huge contrast to these families' moral values, if you can call them that, based on wealth, social status and class-consciousness.
Anne Bronte often asks us, readers, to reflect on what defined this society, its gender roles and class disparity, always with an extremely gentle, calm, elegant tone, that doesn't shy away from also being passionate and charming in its own way.
Rather than having a lot of angst or tragedy, it's an invitation to go on a personal journey with this humble, kind, insecure but strong and brave person who, eventually, finds the perfect balance between her two worlds - the one she's always known, and the one she cannot wait to unravel.
It's also worth noting that the idea some of these people have of love and care is hilarious, and Agnes's (Anne's?) observations about that really made me laugh!
Cannot wait to read The Tenant of Wildfell Hall now!
September 4, 2023
“Reading is my favourite occupation, when I have leisure for it and books to read.”
I say “Reading is my favourite occupation.” No further discussion.
Don’t we love books with our main protagonists as avid readers?
I find this young woman quite strong willed and providing as is her nature that can be felt or seen throughout the book.
When I talk about the classic short book Agnes Grey by Anne Brontë, I want to talk about how liberating it is to read about a coming of age story that is quite different from all the other similar modern stories.
Agnes becomes a governess for well to do families when her family goes into heavy debts after convincing her parents and siblings. It is the story of her struggles looking after spoilt, cruel kids and families with obnoxious family members.
The most outstanding moments would be the times Agnes speaks her mind quite frankly despite the misogynistic environment she was working in.
There are so many quotable lines that would be enough for me to go for years and years to come that would motivate me to be who I am. Thank you, Agnes.
The writing has a strong voice. It deals with various societal issues on what is acceptable and what is looked down upon for no valid reasons till today.
This short book is a breath of fresh air for me.
Definitely worth it.
I say “Reading is my favourite occupation.” No further discussion.
Don’t we love books with our main protagonists as avid readers?
I find this young woman quite strong willed and providing as is her nature that can be felt or seen throughout the book.
When I talk about the classic short book Agnes Grey by Anne Brontë, I want to talk about how liberating it is to read about a coming of age story that is quite different from all the other similar modern stories.
Agnes becomes a governess for well to do families when her family goes into heavy debts after convincing her parents and siblings. It is the story of her struggles looking after spoilt, cruel kids and families with obnoxious family members.
The most outstanding moments would be the times Agnes speaks her mind quite frankly despite the misogynistic environment she was working in.
There are so many quotable lines that would be enough for me to go for years and years to come that would motivate me to be who I am. Thank you, Agnes.
The writing has a strong voice. It deals with various societal issues on what is acceptable and what is looked down upon for no valid reasons till today.
This short book is a breath of fresh air for me.
Definitely worth it.
February 24, 2012
Be prepared for an emotional roller coaster when you read this Bronte tome.
I tried to read it all in one sitting, but having to attend work intervenied.
I tried to read it all in one sitting, but having to attend work intervenied.
November 5, 2019
This was a weird one really. It won't be my favourite Bronte and not among my favourite Victorian reads for sure.
Actually it started really well. I loved hte coming of age beginning in the book for Agnes Grey and I thought we ventured on some adventures by the time she decided to become a governess. But, after that it went downhill really. I don't understand why we spent so much time for the first house with the wicked children. Then onto another one with other spoiled girls and Agnes' inability to deal with all these.
I didn't enjoy Mr. Weston and the sort of development of the 'romance' between these two, too.
The book had an autobiographical feel to it, and I think it only works when the person is interesting. And I'm sorry to say Agnes isn't all that interesting. I understand there's lots of commentary around class differences, religion, etc. But, it's not written in an entertaining manner.
Overall it felt a bit choppy, ordinary and bland.
It wasn't a bad read, but I didn't have the best time either, so I'll settle on 3 stars.
Actually it started really well. I loved hte coming of age beginning in the book for Agnes Grey and I thought we ventured on some adventures by the time she decided to become a governess. But, after that it went downhill really. I don't understand why we spent so much time for the first house with the wicked children. Then onto another one with other spoiled girls and Agnes' inability to deal with all these.
I didn't enjoy Mr. Weston and the sort of development of the 'romance' between these two, too.
The book had an autobiographical feel to it, and I think it only works when the person is interesting. And I'm sorry to say Agnes isn't all that interesting. I understand there's lots of commentary around class differences, religion, etc. But, it's not written in an entertaining manner.
Overall it felt a bit choppy, ordinary and bland.
It wasn't a bad read, but I didn't have the best time either, so I'll settle on 3 stars.
October 18, 2016
Agnes Grey foi escrito pela mais nova das irmãs Brontë; Anne, (1820-1849) e publicado em 1847. É um romance com uma história muito simples e uma visão vitoriana acentuada, mas com uma protagonista muito moderna para a época.
Na casa de Agnes vivia-se com muito amor e pouco dinheiro.
Agnes decide então ser preceptora, uma decisão que visa ajudar financeiramente a família em dificuldades, mas também testar as suas próprias capacidades; vencer na vida sendo útil e romper com o estereótipo das mulheres da época. É o elemento moderno da história, até aqui as mulheres só pensavam em casar, ter filhos, e representar o seu papel de adorno na sociedade, uma mulher que decidisse ter uma ocupação remunerada sem ser por absoluta necessidade era uma inovação ainda vista com alguma estranheza.
Agnes Grey, mostrou-se não só corajosa como cheia de bom senso em todas as situações que enfrentou; passou por dificuldades com os seus pupilos, sofreu humilhações por parte dos patrões mas não vacilou. Uma heroína de dezoito anos, que cresceu, firmou o seu carácter de forma determinada e conquistou até os mais obstinados.
Livro pequeno, muito fácil de ler, não tem nada de aborrecido e a história desliza com fluidez.
Na casa de Agnes vivia-se com muito amor e pouco dinheiro.
Agnes decide então ser preceptora, uma decisão que visa ajudar financeiramente a família em dificuldades, mas também testar as suas próprias capacidades; vencer na vida sendo útil e romper com o estereótipo das mulheres da época. É o elemento moderno da história, até aqui as mulheres só pensavam em casar, ter filhos, e representar o seu papel de adorno na sociedade, uma mulher que decidisse ter uma ocupação remunerada sem ser por absoluta necessidade era uma inovação ainda vista com alguma estranheza.
Agnes Grey, mostrou-se não só corajosa como cheia de bom senso em todas as situações que enfrentou; passou por dificuldades com os seus pupilos, sofreu humilhações por parte dos patrões mas não vacilou. Uma heroína de dezoito anos, que cresceu, firmou o seu carácter de forma determinada e conquistou até os mais obstinados.
Livro pequeno, muito fácil de ler, não tem nada de aborrecido e a história desliza com fluidez.
June 9, 2020
Out of all the Brontë sisters, Anne is definitely my favorite writer. I throughly enjoyed Agnes Grey and I adored The Tenant of Wildfell Hall.
The book centers around Agnes Grey. Agnes is the youngest daughter of a minister and much of the story details her exploits as a governess (a position she took to help her family out financially). Agnes Grey is what I call “a slow but thoughtful read”-it’s not full of exciting adventures but it is a well-written and interesting book that kept me engaged throughout. Highly recommend to readers/fans of classic books.
The book centers around Agnes Grey. Agnes is the youngest daughter of a minister and much of the story details her exploits as a governess (a position she took to help her family out financially). Agnes Grey is what I call “a slow but thoughtful read”-it’s not full of exciting adventures but it is a well-written and interesting book that kept me engaged throughout. Highly recommend to readers/fans of classic books.
June 14, 2019
Tenía bastante miedo de comenzar esta novela, teniendo en cuenta que me encantó La inquilina de Wildfell Hall, y sabiendo e¡que esta última era su obra maestra. Y he de decir que me ha gustado algo menos, pero no mucho menos.
Me ha encantado su manera de escribir. La historia es sencilla, pero muy emotiva.
Debería ser de lectura obligada para padres,...Es una buena crítica social a la sociedad de la época, pero también a como se puede malcriar a los hijos (que por desgracia, es un tema bastante actual,...).
Aunque me quede con ganas de saber de la experiencia (atención: spoiler: de saber más sobre la percepción de Agnes de dar clase en grupo y a alumnas de todas las clases sociales, si lo encontraba diferente,..) pero supongo que es mi curiosidad como profesora,...
Triste por no tener más novela de Anne que leer,...
Me ha encantado su manera de escribir. La historia es sencilla, pero muy emotiva.
Debería ser de lectura obligada para padres,...Es una buena crítica social a la sociedad de la época, pero también a como se puede malcriar a los hijos (que por desgracia, es un tema bastante actual,...).
Aunque me quede con ganas de saber de la experiencia (atención: spoiler: de saber más sobre la percepción de Agnes de dar clase en grupo y a alumnas de todas las clases sociales, si lo encontraba diferente,..) pero supongo que es mi curiosidad como profesora,...
Triste por no tener más novela de Anne que leer,...
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